福水(张国荣 饰)是一个唱片骑师,风流不凡。与表弟海胆、好友沙皮组成了“求爱敢死队”,福水为求帮助两名单身男子寻找爱情。福水某日遇到了一个名叫余丽珍的美丽女孩,福水对阿珍一见钟情,展开了热烈的追求,花样百出。阿珍最后的防守被甜蜜的攻势感动,与福水相恋。这时忠厚老实的沙皮最终找到了自己的爱情,对方便是福水的妹妹。福水抗拒不已,与沙皮大打出手,才发现沙皮有不可告人的秘密……
苏珊娜于二战后返回从集中营回到已成废墟的柏林,却发现她的公寓里住了其他人,即汉斯•默滕斯医生。他被战争弄得消极不堪,酗酒成性。苏珊娜叫他离开,但对方不想走,于是他们在苏珊娜的公寓里合住起来,甚至开始对彼此产生好感,直至相爱。这稍稍鼓舞了默滕斯,然后他得知布吕克纳上尉还活着,并且就住在柏林。布吕克纳上尉在二战中是他的头头,他在圣诞节那天曾经下令杀害一百多条无辜性命,包括许多妇女和孩子……该片位列最伟大的一百部德国电影第六位。
为免涉足江湖恩怨情仇,玉云龙(萧正楠饰)与姐玉娇凤(简慕华饰)安份守己经营客栈生意,谁料云龙为重夺旧爱艾冰冰(汤洛雯饰)芳心毅然参加新晋英雄大赛,因而牵涉揭发东厂黑幕,被东厂的仇不群(黄智贤饰)收入监牢,娇凤救弟心切,暗中放风指客栈有隐世宝物,不群不单立即释放云龙,更派出左右手仇在心(陈凯琳饰)跟随云龙到客栈收取情报,此事亦引来各路隐世英雄一一涌现,各施奇谋,期间令一直寻找杀害双亲的在心发现真相,倒戈相向对付不群之馀,更与云龙产生感情,决心一同改革武林,令本已奄奄一息的武林再现生气,但二人却陷入本是慈悲老人任我飞(姜大卫饰)筹谋已久的复仇大计……
这对争吵不休的昔日恋人,高中时曾拍过一部爆红纪录片。因为这部作品,两人时隔多年又被拉回镜头前,也回到彼此的生活中。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
雷蒙黛(佩内洛普•克鲁兹 Penélope Cruz饰)和他的酒鬼丈夫、年轻女儿共住,生活却不像别人平静。 雷蒙黛有个姐姐索尔(劳拉•杜纳丝 Lola Dueñas饰),小时候两人和父母生活贫寒。父母在一场火灾后遇难后,两姊妹就搬到了马德里生活,为着各自生活已经渐渐疏远。然而,一场意外和一个鬼魂,打破了两姐妹平静的生活。
根据2022年10月至12月播放的原创电视动画《Do It Yourself!! - Do It Yourself -》改编的真人版电视剧。故事以以金属加工而闻名的新潟三条为舞台,描写了个性洋溢的女高中生们一边灵活运用工具和废材,一边进行自己DIY活动的“DIY部”的故事。
民国初年,燕南大学考古系教授的秦羽偶得藏龙墓线索,立即着手准备组建考古队伍,墨班机关术传人韩阳身手不凡,遂邀请其参加考古挖掘。为筹钱二叔治病,韩阳不顾二叔的劝阻,答应同行。与秦羽相熟的地方军阀李大勋得知此事,主动资助考古。秦羽带韩阳、女儿秦卿、学生杨沫、罗子钦和李大勋之女李冰瑶组队出发。不料,江湖传言葬龙墓有一至宝龙珠,韩羽一行被另外两个盗墓团伙跟踪。经过跋涉,秦羽凭借蛛丝马迹已经接近目的地,却发现了大量的蛇蜕......
本片根据美国演员乔治·汉密尔顿(George Hamilton)的亲身经历改编而成。1953年,安·德弗罗(芮 妮·齐薇格 Renée Zellweger 饰)的丈夫丹·德弗罗(凯文·贝肯 Kevin Bacon 饰)因写出《我的唯一》这首歌曲一炮而红,此后招蜂引蝶,被捉奸在床。安一怒而走,带着儿子罗比(马克·兰道尔 Mark Rendall 饰)和乔治(罗根·勒曼 Logan Lerman 饰)离开了纽约,辗转波士顿、匹兹堡、圣路易斯,直到加州洛杉矶。安一路上不停地会见旧友,本打算找到一个合适的对象,为自己与孩子们提供一个美好的未来,直到储蓄用光,捉襟见肘。一路上乔治都以为母亲最终会因经济问题向父亲低头重返纽约,直到他终于了解了母亲的决心,也在意外中发现了自己的演艺天赋。 本片获柏林国际电影节人道主义特别奖,并被提名最佳电影金熊奖。
Marshall Lawson loses his strike-team in a cold-blooded and seemingly random attack. After this he takes it upon himself to investigate the suspicious circumstances of the brutal killings. Soon he uncovers CTX Majestic, a covert military operation so secret, that now the military wants Marshall eliminated. Resolute in his pursuit, Marshall engages in a merciless battle with a d...
《蓝色星球II》将由大卫·爱登堡爵士主持。在长达4年的拍摄过程中, 制作团队共执行了125次的探险,水下拍摄时数长达到6000多个小时。与2001年首播的《藍色星球》相隔16年之后,制作团队透过新的科技技术突破以往限制,将许多过去未知的地带、惊人的生物及其令人瞠目结舌的举动呈现在观众眼前 自从《蓝色星球》2001年开播以来,我们对大海之下生命的理解被彻底颠覆了。从北极熊出没的北冰洋到焕发着勃勃生机的蓝色珊瑚环礁,本系列纪录片同大家分享一些令人吃惊的新发现;邂逅在南冰洋深处神出鬼没的奇怪章鱼,观赏巨大的鲹鱼跳出水面,飞跃到半空中捕鱼;骑在虎鲸的背上,同它一起冲向鱼群。《蓝色星球2》带领我们体验让人敬畏称奇的新地方,见识魅力四射的新物种,了解非同寻常的新行为。
1、问:《 秋之女》 🤡 👻 💀什么时候上映时间?
答:这部影片的上映时间是2021
2、问:《 秋之女》 国产剧在哪个电视台播出?
答:《 秋之女》 目前只有在腾讯视频、爱奇艺、优酷、精东影业频道等线上播出。还没有在其他影视频道上推出。
3、问:剧情片《秋之女》 演员表
答: 秋之女🤡 👻 💀是由Katarzyna Klimkiewicz执导,玛利亚·德布斯卡,赖塞科·利希塔,克孜兹托夫·扎莱夫斯基,Bartlomiej Kotschedoff,Katarzyna Obidzinska,Katia Paliwoda,Rafal Rutkowski,Dariusz Basinski,托马·舍夫斯基,波利斯·席克,Piotr Kazmierczak,Iwo Rajski,Paulina Walendziak领衔主演。剧情片 。该剧于2021在腾讯、爱奇艺、精东影业、优酷、等平台同步播出。
4、问:哪个平台可以免费看《秋之女》全集
答:精东影业免vip在线观看地址: http://yongyi-china.com/videos/79957.html
5、问:手机版免费在线点播《 秋之女》😈 🤩 有哪些网站?
答:hao123影视、百度视频、手机版精东影业、PPTV、电影天堂
6、问:《 秋之女》评价😈 🤩 怎么样?
Mtime时光网网友评价:我一直认为所谓的电影要比小说更生动,基于虚拟和幻想,但实际上它们都是现实的虚幻影子
丢豆网网友评论:Katarzyna Klimkiewicz 导演的作品有欢笑、泪水、喜悦和悲伤...,虚拟世界中的感情是丰富多彩的,不同于我们在现实中不开心的时候一直玩的感觉。当我们看完它,我们会感到更舒服。
豆瓣电影网友:《 秋之女》与其他作品不同,没有紧迫感、虚浮的情节和凌乱的画面不断地教导我们,不像老师和家长的教导(为了遵守这里,我省略了冗长的词)。当我们看电影、电视剧或综艺节目时,我们经常融入其中,无意识地理解这些似乎不容易被我们发现和理解的真相。此外,当你看视频时,你会发现这是现实中更贴近教学的教学!
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