《勇往直前的我们》是2022年一季度湖南卫视重磅企划大型消防教育节目，聚焦平凡英雄、走入人间烟火，打开消防员们的世界去看不一样的热血青春。
张凡在一个晚上竟然遭受了外星生物的袭击，在清洁工阿乐和神秘女子安娜的帮助下才得以逃脱。这俩人都自称是专门处理外星人事项的组织——“有关部门”的特工，他们告诉张凡，他曾经是组织中的王牌——“特工Z”。如今地球陷入外星入侵的危机，唯一能拯救这个世界的就是曾经属于特工Z的“立方体”，但张凡随之发现两人另有目的，失去记忆的他，只能一面寻找自己失去的记忆，一面从曾经的视频里寻找线索。找到“立方体”之后，他发现阿乐是伪装成人类的外星人，安娜是想要清除所有外星生命的极端特工。两人为了各自的立场利用了张凡，达到自己认
抗日战争是中国人民全民参战的一场反对帝国主义侵略的战争。在抗战时期，平静的凤凰古村突然来了很多日本人，他们正在追捕情报员赵桂英。而受伤的桂英不得不躲在铁蛋家中。为了引开日本人的注意力，铁蛋故意被日本人抓到了宪兵队。而狡猾的山本太郎并没有伤害铁蛋，而是让翻译官赵二带他吃了一顿大餐后护送铁蛋回家。此时，村民们都以为铁蛋成了汉奸。而日本人却派了一名美女特工假扮情报员，被强子救回村长家……美女特工能否骗过众人，使凤凰古村分崩离析？铁蛋是否可以洗刷冤屈，重新赢得村民的信任？
罗公子在府内和人斗蛐蛐时，他的黑蛐蛐大获全胜帮他赢了很多银子，得意洋洋的他自夸起宝贝的身价来，他的话被在隔壁做活的木匠张煜记在了心里。下人将收有黑蛐蛐的罐子放在几案上，止不住好奇的张煜想一睹“宝贝”的模样，不想一不小心，黑蛐蛐逃之夭夭。将张煜毒打一番后，罗公子限他三日之内找回黑蛐蛐，否则赔银子1000两。张煜左思右想一番，动了轻生的念头。佛法无比的济公及时赶到将张煜救下，并言只用张煜身上的三文钱，就可帮他把麻烦解除。
故事发生在十九世纪八十年代，自小生长在丛林之中的泰山（亚历山大·斯卡斯加德 Alexander Skarsgård 饰）早已经离开了刚果，回归了人类社会。他同心爱的珍（玛歌特·罗比 Margot Robbie 饰）结婚成家，在英国伦敦过着幸福美满的生活。 某日，被委任为商务密使的泰山回到了他的老家——刚果丛林，然而，此时的他并不知道，自己在一开始，就落入了邪恶而又狡猾的比利时军官罗姆（克里斯托弗·瓦尔兹 Christoph Waltz 饰）一手策划的阴谋之中。如此一来，不仅仅是泰山，就连珍和他的朋友们亦身处危险之中，泰山能否找回曾经矫健的身手和肆意的野性，将企图伤害他至爱之人的敌人们消灭殆尽呢？©豆瓣
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
在现代都市里，居然出了奇怪的大事。某日从天降下一位怪人，而且自称财仙（谭咏麟），为了逃避群众追赶，而凑巧遇上了茶室老板及其女儿爱玲、儿子彬彬。随即他变被打扮成时代青年财仙，替老板解决了不少难题，更积极传播真理，让身边的人人都能幸福快乐。后来，财仙为救汽车失事的爱玲，使用法力抢救但似的自己变成凡人。而后更遭太空署人员围捕，幸得众人齐心救援，方才遇难呈祥、逢凶化吉。 香港天皇级的歌手谭咏麟早期80年代的电影作品。谭咏麟虽然凭《假如我是真的》夺得第十八届金马奖男主角，但是要数出他的代表作也不容易。因为他所主演的片子大多走搞笑路线，观众大多笑完即止。不过其中《小生怕怕》、《少爷威威》、《恭喜发财》也算得上当时优秀的喜剧作品，而且对于在乐坛上作全力冲刺的谭咏麟来说，能出演40多部电影，也可算是一个神话。延续了此前《小生怕怕》、《少爷威威》等片的商业热力，本片推出后也大获成功，赢得了接近两千万的高票房，站到了年度卖座电影的前五名之内。故事的结局和所有的贺岁片如出一辙，同样是皆大欢喜。乐呵呵的看完电影，但演员们的精彩表现还是让人津津乐道，至今翻看起来仍旧能回味无穷。
弗里德里希•席勒，德国18世纪伟大的戏剧家和诗人，被公认为德国文学史上地位仅次于歌德的伟大作家，被称为“德国的莎士比亚”。贵族姐妹夏洛特和卡洛琳都爱上了颇有争议的年轻作家席勒。不顾世俗的偏见，姐妹俩决定分享对席勒的爱恋。三人由最初的嬉戏，随着关系的发展，三人的契约走到了尽头。这部美学力作中，德国最著名的电影导演之一Dominik Graf探究了充满激情的三角恋。
漫长的八年牢狱生活结束后，39岁的米尔科终于重新呼吸到了自由的空气。这一次，他决定洗心革面重新做人。在最初的计划里，米尔科只是想要和妻子重新开始，找回两个女儿的爱，一家四口在罗马城郊过好自己的小日子。直到有一天，米尔科被意外地选为他所在地区的社区代表，从此，他开始有了一个更大的梦想。米尔科为此倾尽全力，但是实现梦想却并没有那么简单……
一个男人被其未婚妻指控通奸，从而被迫搬回家与父母同居。当他为四岁女儿的监护权而战时，也逐渐卷入了父母和邻居由于一棵美丽的古树而起的争执。影片探讨了普通人之间的荒谬斗争，在其现实主义的基调下有着喜剧和惊悚元素。片中尖刻和讽刺的地方或许显得夸张，但也揭示了中产阶级背后的真相。
2022年4月9日 2022赛季亚冠小组赛A组第一轮 利雅得新月VS沙迦FC
Olivia Novak returns with a new generation of lawyers in STREET LEGAL, a character-driven legal drama that follows the professional and private lives of a group of ambitious law partners at a startup firm in Toronto. Together, they vigorously fight for their clients while testing the limits of their relationships inside and outside of the courts.