盛琴（艾丽娅 饰）的父亲盛先生（王德顺 饰）患上了老年痴呆症，每况愈下，最终生活无法自理。为了照顾父亲的饮食起居，盛琴雇佣了一位名叫棉花（颜丙燕 饰）的保姆。盛先生的记忆虽然每日都在消减，但唯独念念不忘的是已经过世多年的妻子，棉花刚刚上任没多久，便屡屡被盛先生误认为是妻子，惹出了不少的麻烦，棉花的为人品性亦遭到了盛琴的质疑。 随着时间的推移，棉花和盛先生之间建立起了一种特殊的信赖，可就在这个节骨眼上，棉花竟然怀孕了，崩溃的盛琴怀疑棉花腹中的孩子是自己的弟弟，于是在暗地里展开了调查，亦就此牵扯出了棉花隐藏多年的秘密。
世界摔角选手知勋正当名气蒸蒸日上时,东进却放弃了选手梦而成为暴力组织的老大,多年后,两人相遇的一天,东进被对手丁会长袭击,打斗中东进失守杀了人,而知勋却自愿代替东进坐牢.关在济州岛牢里的知勋,每天做做杂事,有空时画一些画,过着与世隔绝的日子,同时也拒绝了东进邀他加入组织的请求.不久后,东进与丁会长的权利之争愈演愈烈,东进决定亲自来邀请之勋,却在途中被丁会长杀害……
该作是中国首部玄幻武侠动画。在神坠试练的过程中，辰月、千钧、游不动及碧婷等等少年侠岚们，凭借自身的实力、超群的智力以及强大的凝聚力，不断地进行着自我的提升，并通过比赛，巩固了友情。可就在神坠试练正进行得如火如荼的时候，山鬼谣竟然将零引进了玖宫岭，欲抢夺玖宫岭的至宝——侠岚神坠，大战一触即发。
母亲去世，父亲失踪，虔诚的教徒罗茜（玛卡蕾娜·戈麦斯MacarenaGómez饰）和妹妹妮娜（纳迪娅·圣地亚哥NadiadeSantiago饰）过着相依为命的生活。罗茜患有广场恐惧症和严重的精神衰弱症，无法踏出家门一步，只能依靠吗啡来缓解身体和精神的极度不适。而出落的亭亭玉立的妮娜开始让罗茜渐渐感到一种妹妹会弃自己而去的恐慌。某日，一位腿部受了伤的陌生男子卡洛斯（雨果·席尔瓦HugoSilva饰）敲响了罗茜家的门，半推半就之下，罗茜接纳了卡洛斯，让卡洛斯在床上养伤，日日精心照料着他，随着时间的推移，风度翩翩的卡洛斯让罗茜第一次感到了爱情的甜蜜和温暖。为了能够留住卡洛斯在自己的身边，罗茜开始撒下一个又一个谎言，当事态的发展超出了罗茜的控制之时，她展现出了执着而又疯狂的一面。
为迎接党的二十大胜利召开，由国家广电总局网络视听司特别指导，芒果TV承制的《这十年·追光者》是一档探寻这十年青年奋斗者的纪实访谈节目。每一位奋斗者都是追光者，每期以这十年的“时代大事件”为背景引入，聚焦各行业领域的年轻追光者，他们是时代大事件的亲历者，是奋斗精神的传承者。以青春的视角，讲述新时代奋斗者的故事，从小水滴看到伟大时代的发展。十二期节目聚焦新时代党和国家事业取得的历史性成就，通过不同维度，展现这十年奋斗之志，创造之力，发展之果。
故事发生在陕西关中地区。随着深夜的一声爆炸，古墓被炸开，引来了蜂涌而至哄抢的村民，杨乖娃私藏一只编钟，他想借机倒卖出去，不料引来杀身之祸，其女杨秀为完成父亲遗愿，变成一个冷峻妖冶的盗墓贼。文侦队长秦安平负责文物的侦破工作，通过调查得知，文化局的宋若虚是本地最大文物走私盗墓团伙的头目，秦安平与其展开了正义与邪恶的较量，丧心病狂的宋若虚竟以秦安平儿子的生命相威胁。顶风作案的宋若虚终于进入藏宝密室，发现了价值连城的秦王尊......
江西苏区，十五岁少年王瑞（钟秋 饰）全家四口跟中央红军进行长征，湘江战役时，父亲被炮火击中，临终前嘱咐儿子：跟着走。就在这时，他第一次结识了毛泽东（王英 饰）。遵义会议后，担任警卫的王瑞目睹了毛泽东、贺子珍（赵琳 饰）夫妇为革命大局丢掉刚出生的女儿，他更加坚定了自已的战斗意志，在毛泽东的正确指挥下，红军取得了娄山关战役的胜利。在通过凉山地区时，他的姐姐竹妹子（王嘉 饰）英勇牺牲，王瑞失去了第二个亲人。飞夺卢定桥战斗打响后，他的姐夫肖德昌（齐奎 饰）又把年轻的生命永远留在了大渡河中。在卢定桥头，毛泽东发出的感叹激励了王瑞一生……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
故事紧承上一部展开。在丈夫为保护家人牺牲后，伊芙琳（艾米莉·布朗特 饰）不得不独自带着孩子们（米莉森·西蒙斯、诺亚·尤佩 饰）面对全新的生存挑战。他们将被迫离开家园，踏上一段未知的旅途。在无声的世界里，除了要躲避“猎声怪物”的捕杀，铺满细沙的道路尽头还暗藏着新的危机。
影片讲述了有名望的士大夫家族出身的贵族尹书,迷恋于创作淫乱书籍的搞笑故事。