故事发生在1980年代的爱尔兰，来自内部的斗争正进行到了白热化的境地之中，整个国家都处于极度的紧张和紧绷之下。马丁（吉姆·斯特吉斯 Jim Sturgess 饰）是一名22岁的平凡青年，在接收了来自英国警方的训练之后，他孤身一人被派往了爱尔兰共和军内部，成为了一名卧底。 马丁的任务是从内部瓦解共和军，以及阻止共和军进行的恐怖活动。每一天，马丁都和死神相伴，只要有一个不小心便会有暴露身份的危险。为了获取敌人的信任，马丁经历了常人无法想象的折磨与磨难，最终顺利了打入了内部。可是好景不长，一场意外的发生让马丁的卧底身份暴露了，他不得不踏上了逃亡的旅途。
尹智旭（车胜元 饰）有这一段令他深感悲伤的初恋经历，他的同性恋人不幸去世，留下尹智旭生活在遗憾和回忆之中。临死之前，恋人将妹妹玫瑰（李絮 饰）托付给了尹智旭。随着时间的推移，玫瑰渐渐爱上了成熟可靠的尹智旭，可是，对于后者来说，玫瑰更多的是已故恋人的牵挂，以及一份沉重的责任。 身为警察的尹智旭兢兢业业，恪尽职守，自然招致了黑帮分子的仇视，成为了他们想要除掉的首要人物。与此同时，尹智旭发现自己的内在其实是一个完完全全的女人，并且打算去做变性手术，找回自我。就在这个节骨眼上，搭档振宇（高庚杓 饰）的死讯传来，玫瑰亦被奸人绑架，尹智旭毅然出发深入虎穴，解救玫瑰。
影片曾在2011年柏林电影节上获得剧本银熊奖。 17岁的尼克（崔斯坦·哈利拉吉 Tristan Halilaj 饰）居住在阿尔巴尼亚的北部地区。马上就要高中毕业了，准备拿到毕业证开个小网吧维持生计。15岁的妹妹露迪娜希望能考进大学过上梦想的生活。但这个平凡的家庭却因为卷入土地所有权的争执而变得焦头烂额，父亲被谋杀罪起诉躲进了深山。根据古老习俗，如果家人杀了人，那么受害者的家庭可以同样杀死一个杀人犯的男性亲属。因此家中所有的男性都不允许离开家半步。整个家庭的重担都落在了露迪娜的肩上。她被迫离开学校工作养家。新的责任让露迪娜逐渐成长为一名能够独当一面的能手。尼克却因为长期的“离群索居”的生活而变得沮丧和焦躁不安。最终，这种负面的情绪让他决定用血为家族间的斗争做一个了解——哪怕这个决定回让他丢掉自己的性命，也在所不惜......
中学女生野咲春花（山田杏奈 饰），由于父亲工作的原因，她不得不从东京的学校转学来到一所即将关闭的乡镇学校。作为一个外来者，她一进校就遭到了欺凌。为了不给家人和妹妹带来麻烦，春花决定忍受欺凌直到毕业。但是，由于欺凌的升级，她的父母死于火灾，而她的妹妹也遭到了严重的烧伤。为此，春花开始了她的复仇。
任文秀因为家人与韩春梅邻里摩擦，到乡政府寻找工作。在这儿，她遇到了跟她人生有千般纠葛的几个人：退伍军人张霖，中学教师杨志刚，乡政府秘书李平，以及王丽。文秀“赌气”要“当官”，进入乡政府要工作，让张霖实在瞧不上，作为退伍军人的张霖，作风强硬正派，性格都硬的两个人，围绕着工作方式矛盾不断，两人虽然产生了不少误会，m.77mi.cc可张霖却在对文秀逐渐了解中喜欢上了她。巧合下文秀与杨志刚成婚，杨志刚的前女友王丽不仅在文秀的家庭上搅和，更是在工作上处处使绊子、排挤文秀。此时，张霖所在的渭河治理办正缺人手，文秀
宝宝们最喜欢的工程车好伙伴们来了：挖掘机、压路机、翻斗车、搅拌机、起重车、推土机、拖拉机、水罐车、割草机、铺路机、装载车、多功能工程车、垃圾车、消防车、半挂车、运输车等等。 看看他们是怎么组装起来的，并且他们会带你学会各种颜色的英文和中文发音，他们还会展现自己的独特本领：建桥、修路、种草、喂牛等等，来跟工程车好伙伴一起度过快乐的时光吧。 本系列视频适合儿童启蒙教育，学习中英文的各种车辆名称以及颜色。 高清精细的3D画质、活泼可爱的车辆形象、真实动感的车辆动作音效、轻松欢快的背景音乐让孩子能够在快乐观看的过程中就逐步的掌握了相应的知识。
督察袁金昌（欧阳震华饰）和电视女主播杨夕雪（关咏荷饰）相恋多年，在一次办案中，袁金昌误杀恋人夕雪，无限悔恨的他灵魂出窍，穿越时空，现身于宋朝，摇身一变成了包青天。他运用现代知识，与开封六子屡破奇案。不久，他遇到一个叫韩霜霜的女子，惊讶地发现她与夕雪长得一模一样。可惜霜霜生性冷傲，且遗忘了前世所有记忆。不过，二人在查案过程中渐渐互生情愫。然而这一世注定悲剧收尾，霜霜再次死于他手中。苦痛中他再次穿越时空，来到了50年代的香港，再次遇到了与夕雪长得一样的女子，二人命运再度缠绕，这一世，是缘分还是劫数……三段时空，三世情缘。宿命能否逆转，有情人能否终成眷属？
“谨以此片向中华人民共和国成立六十周年献礼” 根据辽中县信访局原局长潘作良的真实事迹创作而成。通过选取潘作良在信访工作中四个具有代表性的典型事件架构全片，描述了他与家人、同事及上访群众相处的多个片段，刻画出一个“一身正气、为党分忧、为民解难”的优秀基层信访干部形象。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
南方某城市，重案队长刘队（廖凡 饰）重金悬赏在逃罪犯周泽农（胡歌 饰）。陪泳女刘爱爱（桂纶镁 饰） 、周泽农曾经的好友华华（奇道 饰）、五年未见的妻子杨淑俊（万茜 饰），各色人等各怀心事，相继被卷入这场罪与罚的追击旋涡。冒险与爱情，人性与救赎，这场特别的“聚会”该如何收场？善恶有道一念之间。 中国导演刁亦男曾凭借前作《白日焰火》获第 64届柏林国际电影节最佳影片金熊奖，凭本片入围第 72届戛纳国际电影节主竞赛单元。
因宿舍电脑中毒瘫痪，身为大学生的“我”结识了擅长修电脑的学长健叔。在此之后我们萌生创业念头，只不过剑走偏锋干起歪门邪道的勾当，最终遭到学校开除的惩罚。我和健叔游手好闲，在尝试过各种赚钱方法后都碰壁收场，接着我们受雇小学同学帮打群架，双方混战期间一人血染沙场。这个场面令我们吓破了胆，两人夺路狂奔，担心惹上命案干脆逃往另一个城市躲避风头。在那里，健叔接二连三受伤，像一个半残疾。我们还认识了人有点儿“二”却很仗义的王超以及艺术专业神经病阿雄；我在梦中经常被受到政府审讯的噩梦惊扰。一年的逃亡生涯，恍若一场幻梦…… 本片根据韩寒的同名原作改编。