在整夜的毕业沙滩狂欢聚会后，一群在外游荡20几岁的年轻人在毒辣的太阳下醒来。他们不知道的是一个食肉的沙滩正在吞没一切触摸到他的生物.........
南宋末年，正道中人一起合力将魔教覆灭，魔教教主之女聂媚娘（米雪饰）为报此仇夜闯少林，竟与藏经阁首座觉生（卢惠光饰）发生一段孽缘，诞下一女聂小凤（龚慈恩饰）。媚娘仍为报复四处不断为祸武林，正道首领罗玄（姜大卫饰）召集武林群雄围剿媚娘。小凤目睹母亲媚娘惨死，幸得罗玄救下。小凤已出落成亭亭玉立的大姑娘，她与罗玄彼此竟渐生倾慕之心。一夜情缘后，小凤生下了梅绛雪（杨恭如饰）、陈玄霜（陈炜饰）二女。然而仇恨的种子还是萌发了，小凤令武林再起风波。由香港亚洲电视制作的40集武侠巨作《雪花神剑》，改编自卧龙生武侠小说《绛雪玄霜》。由萧笙监制，武术指导元彬，由杨恭如、陈炜、袁文杰、龚慈恩、姜大卫、徐少强、甄志强、米雪等联袂主演。外形清纯温婉的杨恭如，成功演绎了剧中女一号梅绛雪一角，凭借对该人物的精彩演绎而广受好评，并为本剧及亚视博得良好口碑。
本片讲述迪克西黑手党中两名低级毒贩(海姆斯沃斯、杜克饰)本按照阿肯色州毒枭(沃恩饰)的命令生活，但一笔交易出了可怕的差错，随之而来的是致命的后果。
电影时代背景聚焦上世纪70年代的香港，讲述了正义的廉政公署人员白玫瑰（徐冬冬饰），奉命潜伏到黑帮大佬雷万豪（谢天华饰）身边收集罪证，在意外发现雷万豪的神秘身份后，白玫瑰仍旧坚守信念将两大涉黑团体悉数抓获的极限故事。
二十世纪初的上海滩，群雄崛起。永升船运董事长杜景窗是上海滩首屈一指的商业大亨，坊间传言，新仙林的头牌歌女姜罂不日便会成为杜景窗的二姨太。新仙林的晚宴上，永升船运的二把手曾二爷向杜景窗之子杜寻羽发难，称这个两年前回杜家认亲的儿子是假扮的，而真正的杜寻羽早就身故了。曾二爷手中的证据正是来自马上要嫁入杜家的姜罂，一个假少爷和一个假歌女身处同一屋檐下开始了相爱相杀……
3和4中间还有整数吗？一个心理医生正在被他的病人，一个痴迷的数学家，所困扰。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
故事从东施效颦开始 越王勾践被放回国 东施深深爱上勾践 勾践一心想报被褥之仇决定使美人计进献西施 谁知西施与范蠡私奔而走 勾践一怒之下下令把撞上枪口的东施处决 结果东施阴差阳错的穿越到了现代 机缘巧合被误当成要整容的千金小姐 胡里糊涂的巧身一变成为美女 千金小姐的母亲误当女儿已经变身 遂培养她唱歌跳舞准备投资拍戏让东施来演 结果在拍戏过程中又穿越回古代 心中有怨的东施找到了勾践 此时勾践正在全国海选美女 早已变了模样的东施凭借选秀旗开得胜！在即将被送往吴国之际勾践知道了她就是东施……
根据Tracey Wigfield经历改篇，讲述来自新泽西的母亲，由于母女关系岌岌可危，因为到了女儿工作的有线新闻台，当起一名实习生。 Andrea Martin扮演Carol，善良唠叨乐观但无趣的妈妈，她没上过大学，为了养育女儿放弃了事业。在朋友的葬礼上，听了追悼词受到了启发，她决定追求自己的梦想，去了她女儿工作的有线电视新闻台当起了实习生。因为她的正直而得到赞扬。 Kimrie Lewis-Davis 扮演Portia，新闻主播，活泼，挑剔，无逻辑，经常想出疯狂的新闻点子，并想办法让它们能上节目。 Adam Campbell扮演Greg,刚刚上任的制作人。哈佛毕业，老爸也是个著名新闻主播。他精力充沛、努力奋发，想要管理好这群新闻主播，并经常帮这群难搞的摆平麻烦。
Martin（基弗·萨瑟兰 Kiefer Sutherland 饰）因无法跟自己11岁的自闭儿子Jake（大卫·马宋兹 David Mazouz 饰）交流而烦恼，多次尝试都以失败告终。Jake总是面无表情，一整天独自捣腾报废的手机，通过拆解、摆弄零部件的方式来看这个世界 。 Jake的事例引起社工Clea（古古·姆巴塔-劳 Gugu Mbatha-Raw 饰）的注意。她拜访了Martin的家，指出Martin的全部生活已经被一个他再也无法控制的小孩所支配。决定要让政府来介入解决这个家庭问题。当Martin发现Jake拥有预见事情的能力，和掌握着连接任何事物的模式后，一切都改变了。实际上Jake一直在通过数字与人交流。现在Jake需要他的父亲Martin去破解这些数字的含义，似乎这些数字影响着他们的命运......
男主角Kom由于过失伤人而入狱，在监狱里认识了Den，并且经常帮助Den。Den是Dmon先生最得力和最信任的助手，因感激Kom的帮助而肯请Dmon收留Kom。Dmon是商业界非法经营巨头，不轻易相信别人，所以犹豫着是否要收Kom做手下。女主角Mina是Dmon的独生女，从小娇生惯养而养成自我高傲的性格。Teeda是Mina的继母，Teeda的到来让Mina很不满意，开始怀疑自己是否还是父亲的唯一。Dmon想让Mina和将军的儿子Pawa结婚，在一次Pawa带Mina去海边度假的途中，Mina被Dmon的叛徒抓去，Kom自告奋勇救回Mina，由此产生了爱的火花。同时Teeda也因Kom的英勇而爱上Kom。而有着特殊身份的Kom努力不让自己爱上Mina，但最终还是骗不了自己的心。 错综复杂的关系，正义与邪恶的较量，爱情与正义，Kom到底是个什么样的人，...