伊鹭和高歌都是一家汽车杂志的编辑，两人虽为同事，却水火不容，在一次意外中，两人不得不参与到一款汽车的试驾工作中去。 在过程刚刚开始，两人互相欣赏，可随后，两人却又发现各自都有着许多缺点。随着对彼此了解的不断深入，两人的矛盾越来越多，总是在不停地争吵与斗争中继续上路。为了验证对方究竟是不是自己真正喜欢的人，两人踏上了一段浪漫之旅。两人越来越熟悉，争吵越来越自然。以至于他们总能在上一刻争吵，下一刻就在合照中露出幸福笑容…… 就这样，两人经过一个城市又一个城市，拍下了一张又一张的幸福合照。最终，经历过种种困
在一个小镇上，冰山女校和火云男校世代争斗。但现在的女子高校头领冰蓝却一心想停止战争、求的和平，不料争强好胜的火云高校头领火云却一心想成为一方霸主。两高校本就难以平息的斗争，又因为三十年前销声匿迹的魔衣和魔衣军团的重现江湖而更加激烈，最后以冰蓝高校取得阶段性胜利而结束。
修女海伦（苏珊·萨兰登 Susan Sarandon 饰）受死刑犯马修·庞斯莱（西恩·潘 Sean Penn 饰）之托，前往监狱探望他。马修否认残杀年轻情侣被判死刑，提出上诉。海伦一路走访，深入村庄调查真相。一方面是被虐杀而死的无辜情侣，一方面是即将被处决的罪犯的精神依托， 海伦使尽各种办法帮助马修，但当她面对受害者双亲的痛诉以及公众的愤怒时，海伦的内心也陷入纠结的道德审判中。海伦最终感化了马修。行刑前，马修承认自己的罪行并祈求得到受害者家人的宽恕，安心而有尊严的走完人生的最后168小时。 本片改编自修女海伦·普雷金的真实故事，苏珊·萨兰登因本片荣获第68届奥斯卡最佳女主角。©豆瓣
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
根据内蒙古自治区伊金霍洛旗乌兰木伦镇司法 所所长杨宏彦事迹改编的电影《司法老杨》。 杨宏彦生前担任伊金霍洛旗乌兰木 伦镇司法所所长，他15年如一日奋战在 基层司法战线上。在他的带领下，2003 年，乌兰木伦镇司法所接受司法部政治 部和基层司的两次调研，并推广他们的 先进经验；2004年，他先后被评为内蒙 古自治区十佳司法助理员、鄂尔多斯市 劳动模范；2008年3月，司法部授予杨 宏彦为全国司法行政系统二级英模，这 是自1979年司法行政系统恢复重建以 来，内蒙古自治区唯一获此殊荣的人。 2008年5月，杨宏彦积劳成疾，因病去 世。
凯西（凯利·蕾莉饰）是一家花店的老板， 每天有着固定的生活习惯，经常去花店对面的餐厅吃饭，然后去上瑜伽课而这一切，都被路易斯（卢克·伊万斯饰）看在眼里。一天路易斯瞅准时机绑架了凯西，将她囚禁在一间10X10英尺的密室中。 路易斯因何绑架凯西，而凯西又能否逃脱路易斯的魔爪？
地球上一直存在着一个黑暗的地下世界。那里，两大种族――吸血鬼和狼人――在斗得你死我活，每一方都以消灭对方种族为最终目标。
情义有时候就像球场上翻滚的足球，抬脚瞬间便能决定其存在的价值，雄踞南方小镇的地下赌球市场异常火爆，刀疤与阿炮更是亲密无间的合作伙伴，十二年前的一场“兄弟反水”导致大哥刀疤家破人亡，刀疤更是流浪海外躲避澳门上家的追踪，十二年后，风起云涌的2014年巴西世界杯，君子报仇十年不晚的刀疤整装归来，十二年的江湖债、十二年的兄弟情、被阿炮秘密抚养长大的刀疤女儿相继浮出水面，惊险刺激的赌球台下，危机重重的报复行动正悄然张开巨网，一切能否按照刀疤哥设计的进行吗？让我们敬请期待这酣畅淋漓的报复行动吧！
汽车修理工宏光，意外将修车零件丢在了盲人网络小说作家薇薇的家里。为了找回丢失的东西，宏光伪装成“车王”与薇薇进行交往。一场错位的爱情故事由此展开。直到真正的“车王”出现在薇薇面前，曾经欺骗薇薇的宏光因为自卑主动选择离开。通过视力修复手术，薇薇的眼睛终于复明，她离开“车王”选择追寻真爱。宏光和薇薇最终有情人终成眷属。
美国公共电视网ABC于日前正式购得，讲述同志权益斗争的八小时迷你剧《当我们崛起》(When We Rise，暂译)。美国大导格斯·范·桑特将执导该剧两小时时长的首播集，《米尔克》编剧达斯汀·兰斯·布莱克则撰写本片剧本，这也是两人时隔8年后的再度合作。该剧目前已在紧锣密鼓地筹备中。
裘金去巴黎原本是为了修补巴黎歌剧院受损的镜子，却不期而遇了舞蹈总监艾莲，两人一时忘情竟然无法自制的热吻起来，亲吻过后，之前素未谋面的两个人居然毫无缘由的做起相同的动作，不仅是在跳舞的时候，还包括生活中，无论是刷牙、行走、站着、坐着、上厕所以及睡觉......