Unfairlywrittenoffasanattempttomeijubar.netreplicatetheculthysteriaofTheFastShow,BigTraindaredtopushtheboundariesofagenre(thecomedysketchshow)whichthoughtithadseenitall.No,notallofitworked,butthesamewastrueofPython,Vic&Bobandalltheothergroundbreakers.Whenitdid-themanagerwhodistractedhismutinousstaffwithjugglingdisplays,theJekyll&Hyde-typescientist,thestaringcompetitions,MaoTse-TungasBryanFerry,itwaspainfully,inexplicablyfunny.Stickwithit.
本片描写在公元1700年的印度洋，海盗横行，他们在马达加斯加岛设有要塞，追缉的官兵舰艇一进入其海域即被交叉火网之炮火击沉。霍克中尉假装变节投靠海盗，经海盗集团船长会议，需证明其被开除并打败好勇斗狠的海盗以表现勇气才得以加入。在获得艳盗——史提芬船长（莫林．奥哈拉饰）的帮助下通过考验，并乘海盗船掠夺印度皇家船，掳走古月公主。最后终于获取了艳盗的芳心，彻底瓦解了海盗基地。本片情节丰富曲折，颇能吸引观众继续观看下去，场面复杂但是颇能引人入胜。
Set in swinging ’60s Melbourne, the gorgeously reckless Peregrine Fisher inherits a windfall when the famous aunt she never knew, Phryne Fisher, goes missing over the highlands of New Guinea. Peregrine sets out to become a world-class private detective in her own right with the unerring guidance of The Adventuresses’ Club, a group of exceptional women of which her celebrated aunt was a member. A natural rule breaker, Peregrine is fearless, fun, and charmingly down-to-earth. Despite failing at a number of jobs - hairdresser, typist and sales girl - her survival instincts have kept her afloat. Armed with an impressive collection of life skills and having recently lost her dependent mother, Peregrine is perfectly poised for a new and challenging life and looking for a sense of belonging. She’s a self-starter with an innate curiosity, moral integrity and an acute sense of justice; all of which delivers her an instinct for
故事讲述在1950年代的伦敦，一个孤注一掷的好莱坞制片人要把一出广受欢迎的西区戏剧改编成电影，但此时发生了剧组成员被谋杀事件。因此，一个厌世的探长（山姆·洛克威尔饰）和一个过分热情的新手警察（西尔莎·罗南饰）游走在伦敦迷人的戏剧圈和肮脏的地下世界，陷入了令人费解的侦探故事中。
比赛结束后，冰球明星萨沙与花滑女王娜佳举行了童话般的婚礼，幸福地生活在一起。而怀孕的娜佳被医生告知，当年的旧疾会给她生产带来生命危险。最终她坚持生下女儿却遗憾离世。萨沙肩负起单身爸爸的责任，默默忍痛抚养女儿长大，却因偏执的心结，禁止女儿再接触有关花滑的一切。继承母亲天赋的小娜佳，被贝加尔湖的冰面吸引，展示出非凡的天赋。萨沙因疏于对女儿的照顾，被夺走了抚养权，为了赢回自己世上唯一的亲人，昔日王者决定重归赛场，与女儿一起为再度团圆而战。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
Clint Ramsey has to leave his job working at Martin Bormann's gas station and flee after his wife is murdered by psycho cop Harry Sledge, who tries to pin the murder on Clint. Crossing America, Clint gets sexually harassed on all sides by various voluptuous nymphomaniacs, and it all ends in a literally explosive climax.
高考时刘嘉匆匆往考场跑，不小心和刘佳相撞，两人发生争执；大学时二人巧合的成了同桌，邻桌的男同学看刘佳漂亮，要求和刘嘉换座位，想和美女刘佳坐一起，刘嘉和邻桌男同学发生冲突，从此调皮捣蛋的刘嘉想尽各种办法整治邻桌男孩，闹出很多笑话。刘嘉得知刘佳是被农村人养大的孤儿，为了自己的学费，还有为了给把她收养长大的恩人治病，假期打工吃尽苦头，帮助刘佳克服很多困难完成学业，二人建立深厚友谊。大学毕业后二人街道偶遇，二人逐渐产生爱情，由于贫富差异，爱情遭到刘嘉父母的万般阻挠，二人陷入深深的痛苦之中。最终刘嘉被父母安排了一场不幸的婚姻，在遗憾中离去。
阿历克斯（本·斯蒂勒 Ben Stiller饰）和南希（德鲁·巴里摩尔 Drew Barrymore饰）这对夫妻搬进了一桩双层公寓。这个公寓虽然是装修古旧了些，却是一个美妙的生活居所。唯一的糟糕事情是，公寓的二楼住着一个叫康奈利太太（艾玲·伊丝儿Eileen Essel 饰）。这个年近一百岁的老人，竟然给这对夫妻带来了灾难性的麻烦。康奈利太太总是在不合时宜的时间干扰阿历克斯和南妮的生活：在阿历克斯专心写作的时候支使他帮忙处理繁杂的家务活，在夫妻生活正到酣甜处时在他们窗边露出一个可怕的身影，用强大的电视音量来干扰他们的睡眠。更为无可奈何的是，康奈利太太毁了这对夫妻的事业，阿历克斯的书稿被她毁于一旦，南希也因为她的不间断骚扰而丢掉饭碗。夫妻两人对这个可恶的康奈利太太已经忍无可忍，他们决定，用一个神不知鬼不觉的阴谋，狠狠处置把这个无法无天的老太太，还有她那只专做帮凶的鹦鹉……©豆瓣
《戏里戏外》它是一部半小时的喜剧，我们将遇到来自英国的快乐编剧夫妇Sean和Beverly Lincoln(由塔姆辛·格雷格(Tamsin Greig)和史蒂芬·曼甘(Stephen Mangan)饰演)。将英剧改编为美剧是现在美国主流电视圈的一种潮流。大 家也许都看到了像《办公室》系列在全世界制造的影响力。