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知名畅销小说作家的遗作——他生前畅销小说的三部曲最后一集，即将发布。为了能在世界主要地区同时出版这本小说，出版商聘用了9名来自世界各地的翻译员，同时在现场翻译小说。他们被关进了一间豪华但守卫森严的套房，时刻在监视之下。然而，绝密手稿的前十页突然在网上流出，出版商也被勒索巨额赎金。如果不支付五百万欧元，还会继续泄漏内容。除了出版商和这9名翻译，没有人接触过这份手稿。出版商确信，泄密者就在他们9人当中。究竟谁是这一切的幕后操纵者？
在南印的德干高原上，曾存在着一个叫卡卡提亚的伟大王朝，定都奥儒伽路（今印度瓦朗加尔市）。就在中国南宋将被蒙古灭亡前夜，卡卡提亚出现了一位伟大的鲁德拉玛德维女王，将王朝的文治武功推至极盛，堪称黄金时代。影片就是讲述鲁德拉玛德维的传奇人生。影片中的鲁德拉玛德维女王由安努舒卡·谢蒂扮演，担任她的左膀右臂的两位王子分别由阿留·阿俊和拉纳·达古巴帝扮演。
高端牙科诊所的牙医程皓身兼双重身份，业余时间还是一名“恋爱先生”，专门在情感的道路上帮人出谋划策，但自己感情生活却一片空白。程皓在客户的一场婚礼前，偶遇伶牙俐齿的罗玥。二人状况百出，彼此嫌弃。但这一切，却在罗玥无辜遭遇“情感骗子”已婚的宋宁宇后，悄然发生改变。宋宁宇的妻子顾遥在被丈夫出轨的消息打击后黯然回国。程皓的兄弟张铭阳在机场邂逅顾遥，以“情场高手”著称的他竟手足无措只好寻求程皓的帮助，岂料顾遥竟是程皓大学时代的暗恋对象。邹北业作为公司CEO迫于精神压力，时常在夜间开专车来消磨失眠的时光，途中遇上风格百变的乔依林，二人因误会渐行渐远，最终在程皓的帮助下收获了期待的爱情。几位都市白领的关系错综复杂，最终他们都找到了适合自己的另一半，同时也收获了成长。
沪都大学330宿舍的四位性格迥异的兄弟，在毕业之际各自遭遇了情感、学业、工作上的挫折聪明贪玩、厚脸皮的大男孩林向宇（陈晓 饰）与女上司姐弟恋，引得周遭非议；聪明贪玩、自在逍遥的富二代李大鹏（杜天皓 饰）无所事事，拉着心爱的羊驼到处配种；硕果仅存的处男管超（刘芮麟 饰）遇到心爱的女生，却遭遇人生重大分歧；出身贫苦、仗义痴情的奋斗青年谢训（李现 饰），能否结束现实的贫穷？一方有难兄弟支援，他们为彼此两肋插刀，然而却出现了不可调和的内部矛盾……在这个过程中，四位热血兄弟成长着，改变着……
1934年，军阀混战，陕西靖镇的石家意外地发现了一支青铜匕首，而种种迹象表明，这很可能是“荆轲刺秦”使用过的那一件。石家的父亲遂将匕首秘藏。哪想靖镇从此永无宁日：声名狼藉，以游克文为首的凤翔军阀前往搜寻。于是，没有在荆轲手中完成刺杀任务的青铜匕首在沉睡了两千年后苏醒，而伴随其重生《青铜匕首》海报的是更为可怕的嗜血的欲念。围绕着对青铜匕首的争夺，石家的父亲、大嫂，石家兄弟的恩师穆识子父女皆惨死在匪首游克文的手中。石多哥、石有书两兄弟由此展开了殊途同归的复仇计划。十年间，弟弟石多哥从一个怀有满腔义愤的莽撞少年成长为训练有素、果敢刚毅的抗日刺客。而哥哥石有书却令人迷惑地以造假的方式试图消解青铜匕首的价值，并在这个过程中由沉迷而沉沦。石有书近乎变态的心理使他与石多哥的人生之路大相径庭，以至于最终葬送了他费尽心机从弟弟手中抢夺来的爱人云妹儿的生命。夹在兄弟间的云妹儿温顺隐忍，却被命运捉弄，与真心恋人石多哥擦肩而过，最终成为石有书的太太。最后关头，她只得带着青铜匕首，对命运做出绝地反抗，以此祭奠她与石多哥今生无果的不了情——真正的青铜匕首还会出现吗？那将是一个无尽的、发人深省的国宝之谜——
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
凤和盼是香港女警,她们友情极深厚。黑帮头子龙啸天的情妇作警方证人，盼和凤奉命保护她。龙派雌雄杀手去杀雯，雄杀手为凤所杀，雌杀手施美人计勾搭上凤的丈夫，利用他去约凤谈判使凤陷于险境，幸得盼把她救出。
周家少爷为人粗鲁浮夸，不解温柔，竟丢下怀孕的妻子苏云跑去当兵，从此查无音信。谁知六年后周家少爷赫然返家，且前后判若两人，他不但对妻子温柔体贴，并劝说百姓集资种植药材。大丰收之际，周家少爷却被拘捕……