电影改编自古川日出男的小说《平家物语 犬王之卷》，由《非自然死亡》的编剧野木亚纪子执笔剧本。讲述能乐师“犬王”与传唱犬王传奇人生的琵琶法师“友鱼”之间的友情故事。松本大洋操刀设计角色原案，大友良英负责原创音乐。
影片讲述了休斯一家好日子过腻了，从原本舒舒服服的上流社会生活逃离到宁静的乡村小屋，希望能够摆脱城市的纷扰寻找到所谓的“完美生活”结果在他们目的地的这个小乡村，他们遭遇了6岁女儿的意外死亡，接着一连串让人恐惧的事情相继发生。
故事发生在二十一世纪末，彼时，魔法早就已经不再仅存与神话和传说之中，而是同科学与超能力融合，成为了人尽皆知的存在。国家甚至成立了魔法大学附属第一高校，专门培养此方面的人才，以便更好的为国家效力。 司波达也（中村悠一 配音）和妹妹司波深雪（早见沙织 配音）是魔法高校的新生，深雪是能力优秀的“花冠”，而达也则是作为其替补的二科生“杂草”。在学园中，兄妹两人结识了许多
《怪物》描述邓育凯饰演的好学生长期被班上风云人物三人组作弄，某天四个人意外发现吃人的人形小怪物，进而延伸出“霸凌”议题，此主题也是九把刀十多年前看完瑞典电影《邪恶》受到启发后，一直想探讨的主题。原本他想以1500万台币低成本拍成“霸凌伪纪录片”，后期转变成剧情特效片，不但在中影搭棚，也特地在西门钉封街拍动作戏，制作费提高到一亿台币，大部份成本投入特效制作。九把刀透露，原本电影设定走写实暴力路线，但自己和素人演员无法掌握，最后决定做自己走回黑色幽默风格。
俊明是位作家，除了寫作，還喜歡攝影，為了治療風濕痛的腿，在他個人的環島畢業旅行中，順路到北投一趟。俊明在一家旅館內結識了一名服務生明芬，兩人情投意合，相處得極為融洽。後來俊明才知道明芬有一個雙胞姐姐明惠，明惠端莊賢淑，具有中國的傳統美德，明芬俏麗活潑，惹人憐愛，明芬原本有個丈夫家祥，但家祥體弱多病，為了不連累明芬，明惠乃代替明芬，長期的照顧家祥。
来着YouTube上面的恶搞大神们这次再次倾巢而出，各种爆笑恶搞，挑战各种街头恶搞，一场场精心策划的恶搞方案令不少路人哭笑不得...
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
5살에 집나간 엄마를 그리워하는 민철. 그런 민철 앞에 아버지 정수는 엄마와 똑같이 생긴 현아를 새엄마라며 데리고 들어온다. 아버지의 폭력적인 성행위를 참는 현아를 보며 예전 엄마의 기억을 떠올리지만 점점 여자로 보이기 시작한다.
梅蝶纹是疯人院的医生，却意外被病人杀死。梅蝶纹的丈夫袁邵认为妻子死得蹊跷，于是装疯进入疯人院调查。袁邵来到不久，医生吴远就辞职了，袁邵出院找到了吴远，吴远求袁邵放过自己，并且暗示疯人院院长梅尔教授有问题。袁邵不顾女儿的反对，又回到了疯人院，发现了梅尔教授用活人做实验的秘密……梅尔不再手软，用尽了方法将袁邵逼疯。但袁邵并没有真疯，为救护士长符珍，袁邵却暴露了自己，符珍被袁邵感动，放了袁邵。袁邵带领警察冲入了疯人院，但梅尔早有准备，警察们扑了个空。梅尔再次扣下袁邵，就在梅尔要用袁邵做实验的关键时刻，天降神兵，另一个潜伏在疯人院装疯的警察路医生救了袁邵，小强。也揭开了疯人院的秘密。
Tul扮演一位法医/医生，Max扮演的则是一名教师。因为一件刻意掩盖的离奇死亡案件，两人被同时卷入其中。在被迫需要找出凶手的过程中，两人也陷入了错综复杂的情感纠葛。