助产士2：揭露了变态连环杀人犯的Gesa搬去了德国马尔堡一个热闹的小镇继续学习助产术。独居在城郊的Gesa开始迎接她的宁静生活。失散多年的亲戚Luise的出现，打破了Gesa平静的生活。Luise身患疾病，需要静养，当Luise被确诊为肺结核时，Gesa知道唯一能救这对母子的方法就是将他们送到500英里远的城市，维也纳。但是，当可怜的女人到达维也纳时，她们发现隐藏在这座美丽城市光芒之下的是黑暗与险恶，她们仿佛看到将要沦为妓女的生活，并陷入一系列谋杀案件带来的恐慌之中。
伦敦的一间医院里，本在晕迷中醒来，发现自己出了一场车祸当本得知自己深爱的妻子伊丽莎已经在车祸中身亡的时候，他感到世界崩溃了。出院后，本开始尝试新生活，他找了一个新工作，搬到一幢新公寓，还经常帮助邻居夏洛特处理一些生活上的小麻烦。然而尽管身体上的伤痛已经痊愈，但内心的伤痛却一直伴随着本。有一天他发现在任何地方都可以看见伊丽莎的身影，可怕的是心理医生却认为他没什么不妥，夏洛特因此怀疑伊丽莎仍然活着。一天，本所住的公寓发生一起谋杀案，警察怀疑本是凶手。惨遭冤枉的本怀疑这一切都与伊丽莎有关，其背后似乎有一双黑手在操纵这一切，本会为自己洗脱冤屈吗？
★第22届日本HORROR小说大赛读者奖，令人心痛落泪的作品。★让人热泪盈眶，青春惆怅系恐怖小说。★书店店员支持度No.1！‧「每一页都不容错过、触动内心的情节。」‧「书中充满浓厚的推理元素，非常符合我的喜好。」‧「我有预感这部作品会成为惆怅系惊悚小说的代表作，推荐给想看感动类惊悚小说的读者。」你有想遗忘的记忆吗？失去这段记忆之后，你，还是你吗？大学生辽一爱慕罹患严重夜路恐惧症的学姊杏子，辽一耐性陪伴著她，希望能疗愈杏子的恐惧症，然而，杏子却将希望放在都市传说「记忆使者」──传说中，记忆使者能帮人消除想遗忘的记忆。某一天，杏子竟能自己走夜路回家，看似治愈恐惧症的她，却将辽一的事忘得一乾二净。开始追寻真相的辽一，发现青梅竹马的邻居玩伴真希似乎也失落了一段重要的记忆；此外，就连他自己的脑中也出现不可思议的空白断层。究竟「记忆使者」是不可见人的脑外科手术？抑或是传说中能「吃掉」记忆的怪人？辽一努力追查的同时，却战栗地发现记忆使者早就潜伏在他身边，虎视眈眈……
一副神秘的画卷里隐藏着楼兰古国的宝藏，两个贪婪的海盗一心想要得到宝藏，四个勇敢的少年被莫名地卷入楼兰古国的预言风波中。异邦人的追杀、变化万千的莫高窟、飞天魔女图的谜底……楼兰古国的宝藏究竟是什么？
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
影片描写了中学生的学习和生活﹐美枝刚到一所女子学校寄读﹐就遭到以芊蒂为首的富家女生的戏弄﹐看到他们经常欺负同学﹐一次舞会中﹐遂与阿蕊等人连手对付并令她们丑态面出﹐学校举行竞技大赛﹐美技等人参加﹐却体育教师拒绝﹐此时刘老师毅然担任她们的体能训练老师。众人设圈套﹐令美枝误会离开男友﹐经过激烈的角逐﹐美枝夺得了第一名。
皇帝還是如往常一樣不上朝，龍椅上不見龍顏，文武百官只能望龍椅遙拜，朝中大事就由崔丞相和秦公公代行視事。二皇爺感嘆皇帝終日在深宮沈浸酒色，不理朝政，坐視佞臣把持政務。
埃利奥特（帕克·克罗夫特 Parker Croft 饰）虽然只有二十二岁，却患上了癌症，他体内的肿瘤长在脑部，十分的危险。明天，他就要躺在手术台上接受手术了，这场手术的成功率并非百分之百，这也就意味着，埃利奥特年轻的生命可能就要结束在无影灯之下了，也许，这一个夜晚，将是埃利奥特人生中的最后一个夜晚。 满心不安外出游荡的埃利奥特邂逅了名为克洛伊（Emilia Zoryan 饰）的女摄影师，在克洛伊的带领之下，埃利奥特和克洛伊的朋友们一起，享受着笼罩在城市角角落落的美丽夜色。在此过程中，埃利奥特和克洛伊之间碰撞出了爱情的火花，但埃利奥特向特洛伊隐瞒了自己生病的事实。
故事发生在美国墨西哥边界，警方调查一起儿童神秘死亡事件，居然发现与别西卜有关联，由此惊动了梵蒂冈，一场驱魔能够解决所以的问题吗？
高速公路上，屌丝佟子只恨车破，穷追前面的奔驰，豪车内思豪百般挑逗林歆，追至别墅前思豪痛殴佟子。佟子使出离间计，却被林歆无情羞辱得体无完肤。绝望中，佟子拿着父母的养老钱投入黄金杠杆交易，迅速暴富。他迫不及待地炫富，嚣张如演戏般地戏谑林歆，痛殴思豪。人生如戏，马失前蹄，佟子举债缠身再次栽在思豪手里遭受奇耻大辱。佟子拼死赢得炒金圣手的援助，在思豪林歆的婚礼上怒演：用钱砸死你！
故事发生在18年前的小镇里，4名被拐儿童，被养父收留，养父教给他们生存的技能“偷盗”但是邪不胜正，养父被警方抓获后，女孩梦香被父母领走，只剩下三名儿童，他们无人认领，只能自食其力过着偷偷摸摸的生活，18年后..三人长大成人，男主角牛大带着牛二和牛三来到了城市里，因为担心偷盗毕竟不是长远之计，三人开始寻找工作，但又无功而返，三人无意间结识了长大后的梦香，为了梦香也和肥鲨产生了矛盾…牛二和牛三在无意中捡到了犯罪团伙正在交易的重要物品，龙坤龙麒兄妹带领手下，开始调查失踪物品的下落，可没想到犯罪团伙中的警方卧底“高成”见机行事，在最关键的时候通过巧妙手段，混入了龙坤设计的交易中..
都市繁荣背后，隐藏着不少社会问题，包括： 新移民不能适应香港教育制度，并受同学歧视，最后误入歧途贩卖迷幻药。 问题少女因家庭破碎，终日在街上流连，为贪图享乐而任卡拉OK伴唱女郎，甚至为争男友而与人殴斗。 低下阶层的青少年，因黑社会家庭背景，喜欢以暴易暴，终被学校拒诸门外，成"人球学生"。 程立仁（罗嘉良）为挽救边缘青少年，立志当社会工作者，与同事司徒敏（黄凯欣）、余家乐（魏骏杰）、郑振东（骆应钧）、郭耀良（麦长青）等积极工作，以忘我精神辅导边缘少年，盼他们能重走正道。 仁在处理案件的过程中，体会到与其父之间多年未能解决的沟通问题；另外，他与女督察张凯雯（陈秀雯）发展出一段深藏的恋情。在工作、家庭及感情上，仁正面对不同的冲击。