10位成人玩家意外进入童话世界“星守村”，经历一段特别的虚拟又真实的生活。这是一个拥有独特世界观的新世界，这里的一切由孩子主宰，“玩”是这里的唯一生存规则。人长大的过程是一个慢慢不相信童话的过程，但童话并没有消失，而是在自己的心里，通过与这个新世界的一切交互，成人们重新找回心中的童话，最终和童年和解，与自己和解。
謝來文世居宜蘭梅花湖畔，因緣進入台泥擔任電工技師。游巧玲個性柔順，原本是人家的童養媳，因不想嫁養兄而逃婚，在親戚的介紹下，兩人相親結婚。原本個性耿直不會轉彎的來文，因受上人傳法的薰陶，逐漸改掉壞脾氣，卻不料無常接連降臨，兒子明學與明達，兩人都遭受意外而往生，痛不欲生的來文，還好有法的滋潤，轉小愛為大愛，與妻子更加投入做慈濟。
洛杉矶的一个家庭在历史上最大的灾难的汇合中分开了：一个超级火山、一次特大地震和一次大规模龙卷风。当世界经受住这场几乎世界末日的事件时，我们的英雄们必须坚持自己的技能和智慧来团结和生存下去。
妹妹被谋杀的噩耗让华特（艾什顿·库彻 Ashton Kutcher 饰）大受打击，终日沉浸在愤怒和悲哀中的他决定复仇在小镇上，华特遇见了名为琳达（米歇尔·菲佛 Michelle Pfeiffer 饰）的美丽女人，没想到，在琳达的坚强背后也隐藏了一段与华特相似的悲惨遭遇。就是这样心怀伤痛的两人，他们相遇了，相爱了。 琳达的出现温暖了华特的心，而华特的存在不仅挽救了琳达，还令琳达的儿子克雷（Spencer Hudson 饰）找回了丢失多年的亲情，在华特的陪伴和开导下，他不再怨怼，不再愤怒。可是，昔日的伤痛不可能完全逝去，当灰暗的记忆再度卷土重来之时，这相依为命的三人能否紧紧抓住难能可贵的缘分？
A fast paced dramatic thriller set in locations throughout Victoria, Australia. Grady (Marcus Graham) an ex-soldier whose life has been disrupted and his emotions disturbed, by his experiences at war and in prison, escapes from police custody after atte
A re-imagining of the Arthurian legend centered around Arthur's illegitimate son Owain who must learn to take up his father's mantle as king.
良家子女聚集的名门学校，私立百花王学园。君临这所被赌博所支配的学园顶点的是，支配弱者的人生、甚至对政界财界都拥有影响力的绝对支配者，学生会。然而，学生会长桃喰绮罗莉，突然宣言了学生会的解散及总选举。选举的规则是一人一票。全体学生都被给予了登上学园顶点的机会。这是追求混沌与愉悦的绮罗莉一念之下带来的选举战。不止如此，与此同时新的威胁也随之而来。那就是，百喰一族——绮罗莉与梦子也位列其中的人们。蛇喰梦子以及与她有着深厚友情的铃井凉太、早乙女芽亚里、皇伊月这4人，在这次策划的总选举中，即将展开赌上各自信念的战斗。是在弱肉强食的学园中成为“饵食”，还是吃掉其他人成为生态系的“捕食者”。千钧一发的选择会使得内心无比动摇的“究极选举死斗”就此开始！
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
妮可·加西亚([石之痛])执导的新片[丽莎·雷德勒](Lisa Redler，暂译)首释剧照。本片由皮埃尔·尼内([弗兰兹])、斯塔西·马汀([女性瘾者])、伯努瓦·马吉梅尔([钢琴教师])主演。加西亚与老搭档雅克·菲耶斯基操刀剧本。故事围绕巴黎一对恋人丽莎与西蒙之间的爱情故事展开。
希拉莉（瑞切尔•格里菲斯 饰）与积琪琳（艾米丽•沃森 饰）是一对感情深厚的姐妹。姐姐希拉莉很有吹长笛的天分，积琪琳看着姐姐拿到了许多荣耀也不甘落后，经过艰苦练习后，积琪琳的大提琴也有了很大的进步。在一次比赛中，两人分别获得了第一，但希拉莉开始嫉妒妹妹，纵使两人的感情没有受到影响，可是希拉莉的音乐之路开始触礁。长大后的希拉莉成家了，搬到了偏远地区，这时也同样结婚了的积琪琳十分羡慕姐姐过着平常但幸福的生活，她开始厌倦到处表演。她逃到了姐姐的家中，却要求与姐夫发生关系，为了迁就妹妹，希拉莉只好妥协。终于一天，积琪琳发现姐夫爱的依然是姐姐时，她离开了，回到了丈夫的身边，正当一切进展顺利之际，她发现自己患上了不治之症。
本片讲述了居住在大山深处的一对母女在与大自然搏斗的过程，与一匹野生的银白色小野马产生的真挚感情。片中处处流露着人与自然之间的互相独立却又密不可分的千丝万缕的联系。
谭永义是一个农民的儿子，他在银山乡干了八年乡长，是一个廉政爱民深受百姓拥戴的好干部。后来他晋升为县重点工程局局长分管市政建设，在立交桥建设的招标过程中，他被人情世故所左右，最终没能守住底线而沦陷。