凤凰集团的老板叶松年（陈澍承饰）生性霸道而又好色，他觊觎手下的女职员郑文玉的美貌许久，终于在一个月黑风高之夜将她玷污。彼时，郑文玉的腹中已经怀上了丈夫的骨肉，虽然羞愤难当，但她还是选择坚强的继续生活，并且将这仇恨深深的埋藏在心底，等待着可以生根发芽的那一天。巧合的是，叶松年的二房太太素贞和文玉几乎是同一时间怀孕的，因此两人的预产期在同一天。预产期当日，两个女人在同一间医院同时生下了两个女孩，在误打误撞之中，护士将文玉的孩子给了素贞，将素贞的孩子给了文玉，虽然发现了真相，但文玉选择将错就错，这是她对叶松年最大的报复。
相传在西方有一个能改变人生的秘密商店，店主叫做迷尊，只要找到他无论提任何需求，都能够如愿以偿，但必须付出等值的代价！有一天，一个叫影儿的女子来到秘密商店，找到了传说中的迷尊，并且心甘情愿地喝下了迷尊赐的药水，而她没想到的是，这个决定改写了她的一生......
上海滩十里洋场，是无数人追梦的乐园……天生神力的青年马永贞（伍允龙 饰）从家乡来到上海谋生，在当时占有上海一半势力范围的老帮派斧头帮治下谋得一份苦工，岂料因同伴窃取斧头帮的鸦片，在后者发难之际与同住贫民区的老铁（洪金宝 饰）将工友救下，为了追踪那批鸦片的下落，马永贞与上海另一半势力范围的主人——新近崛起的龙七（安志杰 饰）不打不相识，并因为受到斧头帮排挤，不得不与同伴们投奔龙七。因秉持母亲的教诲，马永贞无意加入龙七的帮会，但龙七不以为意，反与之结为知交。不久，那批鸦片的真正主人——日本人为了介入上海，利用斧头帮和龙七的矛盾欲置龙七与老铁等人于死地，马永贞忍无可忍，誓要复仇……
因羽田机场天气情况不佳，一架飞往东京的航班暂时停靠在一天只有两架飞机降落的松本机场。地勤大河内千草（竹内结子 饰）严阵以待，打起十二万分的精神应对旅客的各种要求，此外还为村木主任（甲本雅裕 饰）死缠烂打的求婚告白颇费脑筋。少顷，刚刚结束葬礼的鹤桥一家抵达候机大厅。长男藏之介（生瀬胜久 饰）一心筹划兴建天文馆，为此缠着妹妹和妹夫借钱。身为律师的妹夫田野仓守男（香川照之 饰）道貌岸然，情人百合子（户田惠梨香 饰）暗中随行令他焦灼万分。妻子美代子（神野三铃 饰）察觉丈夫的异状只能自吞苦果，这时却邂逅了帅气的飞行员（小田切让 饰）。田野仓的一双儿女也各有各的心事，丈人鹤桥清正（绫田俊树 饰）则抱着亡妻的骨灰独坐一隅。 千草周旋在鹤桥一家身边，不经意间得知了他们的许多秘密，也见证着他们之间隐隐的羁绊……
伊丽莎白（诺拉•琼斯饰）被男友抛弃，伤心又苦恼的她把钥匙扔在咖啡店里。咖啡店的老板杰瑞米（裘德•洛饰）保存了很多钥匙，每把钥匙都埋藏了一个伤心的故事。伊丽莎白爱吃店里没人点的蓝莓蛋糕，在某一晚决定离开纽约，穿越美国到处看看。在旅途上认识了明明深爱却困囿彼此的分居夫妇，还有豪爽爱赌却鲜回家看望父亲的少女（娜塔莉•波曼饰），每到一个地方她就给杰瑞米写一张明信片。以他人为镜，伊丽莎白找到了爱的真谛，回到纽约，看见等待自己的杰瑞米，可以幸福地，再吃一客蓝莓蛋糕，放心享受爱的欢愉。
台灣影帝柯俊雄和張美瑤這對銀色夫妻檔早期的精湛演出，年青時的柯俊雄氣宇非凡，張美瑤楚楚動人，就在電影《落花時節》擦出愛情火花。愛情在戰爭考驗，往往衝擊出可歌可泣的動人一面。光復前一年，天賜（柯俊雄）和好友哲雄（歐威）是醫科同學。哲雄妹妹介紹女友素津給他相睇，哲雄帶天賜同往，天賜本有未婚妻玉蘭，仍對素津一見鍾情，兩人相戀，一次空襲，在小樓發生關係。後來，素津懷孕，天賜以學生軍開拔外島，素津帶兒子去林家被拒。素津為撫養兒子，到酒家墮入賣笑生涯。天賜回家，找不到素津，家人逼天賜迎娶玉蘭。婚前，哲雄帶天賜到酒家消遣，重遇素津……情如落櫻，瞬間難忘。
一个被埋没的射击天才凌峰偶然接触“火线激战”真人吃鸡游戏，并凭借超高的游戏禀赋，在VR游戏《火线激战》中一战封神的同时，卷入了一场骇人听闻的大秘密中的故事。
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.