In season 7, alliances are turned on their heads. Old wounds are weaponized. Loyalties are tested. Betrayal takes on epic proportions. Enemies become wary friends. And Bobby Axelrod returns, as the stakes grow from Wall Street to the world.
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长达半个世纪的爱情故事。 19世纪末期哥伦比亚的喀他赫纳，电报员Florentino Ariza（Javier Bardem 饰）爱上了富商的女儿Fermina Daza（Giovanna Mezzogiorno 饰），他用热情洋溢的情书打动了Fermina Daza的心，二人迅速相恋。然而，由于身份地位的悬殊，Fermina Daza不得不屈从于父亲，离开了喀他赫纳，在年轻的Fermina Daza看来，二人的爱情只是少不更事的幻觉而已。 几年后，Fermina Daza在父亲的安排下，嫁给了有好感的医生Dr. Juvenal Urbino（Benjamin Bratt 饰）。正值霍乱时期，一个医生丈夫不仅能带来优渥的生活，更是生命有力的保障。Fermina Daza渐渐忘记了当年的事情。可是Florentino Ariza却没有忘记，当年一无所有的青涩少年，继承了伯父的遗产，成为富有的船商，他经历着不同的女人，但是内心却对Fermina Daza念念不忘，他能做的事情，就是等待，等待重逢的那一天，纵然五十多年过去，对她的心意还一如往昔。
一位知悉国家机密的CIA探员比利·波普（瑞恩·雷诺兹 Ryan Reynolds 饰）意外身亡，在弗兰克斯博士（汤米·李·琼斯 Tommy Lee Jones 饰）的协助下将其记忆与技能植入了一位极度危险且无法预测的罪犯杰里科·斯图尔特（凯文·科斯特纳 Kevin Costner 饰）身上，而探员贵格·威尔斯（加里·奥德曼 Gary Oldman 饰）必须靠这位不定时炸弹来摧毁企图攫取国家机密的犯罪组织。杰里科·斯图尔特为了救回换脑后渐渐爱上的比利·波普被胁迫的妻子和孩子，重新找回自己的生活，不得不在48小时的时间里，与犯罪组织展开殊死搏斗。
名侦探黎仁杰接受委托从东海市来到江城调查一桩古董失窃案，住入一间前晚有人自杀的酒店房间，却在当夜的密室中被杀害，妹妹黎丽被当做最大的嫌犯。黎丽决意为哥哥之死找出真相，唯一的线索是一首李白的唐诗“床前明月光，疑是地上霜”。刚刚着手调查就被人抢走关键物证，看似平静的小县城里暗流汹涌，警察、酒店老板、酒店服务员、神秘女住客、流氓、小偷、夺宝者、寻父少年，阴差阳错的借刀杀人，怀疑与信任，试探与背叛，一一上演。
故事发生在未来，环境恶化导致自然灾害愈演愈烈，因此世界各国通力合作，创造了能控制天气的强大气象卫星网络但是卫星网络突发故障开始攻击地球，摧毁一切的气象大灾变席卷世界。而随着事态发展，浩劫背后的阴谋人祸也开始浮出水面，令主人公的救世之旅面临更严峻考验。
那是二十世纪的一个重要时刻——世界上第一颗用于袭击一个国家或地区的原子弹投向了日本的广岛，这是一次科学的、技术的、军事的以及政治上的冒险。这部纪录片企图向我们展示经历了原子弹轰炸的日本人民的生活是什么样的（以前还没有类似的纪录片）时间定格在短短的三周时间，从在新墨西哥的爆炸试验到最后在日本上空的投下，我们有机会看到当年做出决策的那个房间，灾难发生的那一刹那的广岛街头。故事以平行的线索展开。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
《拜托了，夏天啊》（韩语：??? ???），为韩国KBS 1TV于2019年4月29日起播出的日日连续剧，由《Hi! School - Love On》成俊海导演与《明日也晴朗》具智元作家合作打造。此剧讲述即使家庭成员之间有时会很讨厌大家，但最终会因为大家是一家人而重归于好的快乐、温馨家庭故事。
年轻漂亮的秦腔剧团演员彩梦是秦腔导演理想的女友,两人为了排一出秦腔大戏苦苦筹集资金。当理想下定决心准备向女友求婚时, 理想的前妻，原剧团演员韩青意外的带着一个五、六岁的男孩子大志从外地归来。 因为理想的房子中有一半产权是前妻韩青的，所以当前妻要求暂住一段时间，心软的理想看着带着孩子的前妻，实在无法拒绝。 但又无法和但彩梦解释。，为了不引起了女友的猜疑，理想想方设法凑足钱想买回另一半房子的产权，前妻却不要。她拿出了一份协议，让理想做孩子三个月的临时父亲。如果理想愿意，协议期满，前妻将放弃所拥有一半房子的产权，远走高飞。 这个协议既让他心动，也让他头痛。签下协议后，他被迫得履行职责。韩青对理想继续在秦腔里摸爬滚打非常不满，一心想用现代生活理念证明理想的做法没有出路。理想是你说什么都行，唯独谁说秦腔不行就跟谁急。但在生活上理想认为韩青是落难归来，很忍让。在...
《愤怒管理》（Anger Management）是前《好汉两个半》（Two And A Half Men）主演、好莱坞电视界收入最高的男演员Charlie Sheen离开《好汉两个半》后另起炉灶打造的新情景喜剧。Charlie Sheen最近表示，这将是他演出的最后一部电视剧，从此他不再涉足电视界。 在该剧中，Charlie Sheen扮演一个专攻「愤怒管理」领域的另类心理医生。他创办了一家很有名气的私人诊所，每周召集他的主要病人举行集体治疗。与此同时，他还给一家州立监狱的犯人提供免费心理辅导。 在成为心理医生之前，Charlie是一个职业棒球小联盟的明星，本来很有希望进入大联盟，但他糟糕的性格和难以自我控制的怒火妨碍了他的前程。经过愤怒管理治疗师的治疗，他勉强进入了大联盟，第一个赛季的成绩相当不错。但他的愤怒问题再次爆发，导致他彻底失去了一切－－在...