舞狮在南方武馆非常流行，并自有其规矩，如果在舞狮中逾矩，则很容易引起武馆之间的争执。郑天寿武馆因舞狮遭到挑衅与陆正甫武馆结怨，另一武馆主黄麒英（谷峰 饰）与儿子黄飞鸿（刘家辉 饰）出面调停，却未起作用。黄飞鸿与郑氏武馆的王隐林（麦德罗 饰）互为好友，二人约定与第三方较量以便分出彼此武功高下，岂料王隐林之妹菊英（惠英红 饰）匆忙中造成误会，导致王隐林受伤，菊英又二话不说向洪飞鸿寻仇……这边的误会刚解除，陆正甫武馆的公子陆山豪用计将王隐林重伤，而陆正甫将之前打伤王隐林的精武门高手单雄（王龙威 饰）迎入武馆，图谋利用单雄的北派功夫打击黄麒英、郑天寿等武馆同行。此时黄飞鸿向陆正甫讨要说法，未知吉凶如何……
弗莱迪（罗伯特·英格兰德RobertEnglund饰）将榆树街孩子残杀殆尽，只留下约翰一人，约翰在梦中重返榆树街，历经梦中的混乱后被丢弃在陌生的城镇。在“青年之家康复中心”里，一群问题少年斯宾塞、翠西等人正接受教师玛姬（丽萨·赞恩LisaZane饰）的管理与矫正，失去记忆的约翰也被发现后送到了这里，玛姬发现约翰和自己的梦境相关联，他们有同样的关于榆树街的记忆。为调查真相，玛姬与约翰驾车来到没有一个孩子的春木镇，而翠西等三个少年也偷偷爬上车跟来了这里。翠西等人在榆树街的老宅中遭遇了弗莱迪的梦中追杀，另一边，玛姬与约翰却发现了弗莱迪的真实身份，更惊人的是，玛姬居然是弗莱迪的女儿……
红衣舞女身世凄惨，死后化身厉鬼，吸食尸气替自己复仇#猛鬼舞厅
舞厅一向是黑帮为所欲为的地方，一天红舞女阿咪突然被杀,从此舞厅变成鬼地,恶棍神雕唯有找来法师驱鬼.为人忠义的劲秋，终日被阿咪鬼魂缠绕,原来凶手是逼他接客的恶棍神雕,要借助其力报仇……
九重天危机后，世界又恢复了一派安宁景象。当今社会，手机、电脑等电子设备成为了人们的生活必需品，网络信号覆盖全球。有很多人沉迷其中，忽略现实生活，导致生理、心理疾病，甚至道德败坏。这成为了现代社会的顽疾，也让地球成为了黑暗势力的新目标。病毒机械兽来袭地球，散播黑晶，黑晶像蒲公英一样飘入人们的电子设备屏幕里，吸收能量后吞噬屏幕面前的人，使普通人变成黑士兵，而一些沉迷网络，或有网络恶习的人变成机械兽。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
故事讲述男孩(泰伊·谢里丹饰)在一个夏天偶遇女孩(凯特琳·德弗饰)并爱上她，但是一次夏日恶作剧使得他萌生罪恶感，而他需克服这种心理负担。
道为天，法为地，师为尊！大道三千，末法时代，破碎虚空无望的最后天师唐焯庭带着弟子唐易为集齐四象封神玄玉，重启九转轮回盘，打开虚空之门而游荡红尘俗世，询阴问阳，荡妖除魔，却不料修罗一族髑兮借尸还魂，围绕...
われは心より医者を助け、我が手に託されたる人々の幸のために身を捧げん―― （「ナイチンゲール誓詞」より） 桃子は看護師。時に患者のセクハラに遭い、時に同僚ナースが患者とセックスする姿を目撃しながらも、 日々マジメに仕事に打ち込んでいた。しかしそんな桃子にも人に言えない秘密が一つだけあった。 それは同じ病院で働く医師?二階堂との不倫関係。 決して実ることのない思いに身を焦がしながらも、桃子は彼に求められるがまま、体だけの関係を続けていた。 そんなある日、桃子は出勤途中に交通事故を目撃する。重症を負った大学生?達也を救急車で自らの勤務先へ 搬送したことをきっかけに、彼の担当看護師として初めてのリハビリを受け持つことになった桃子。 優しく献身的な介護の甲斐もあり、達也の体はみるみる回復。 ２人は患者と看護師という関係を超え、徐々に距離を縮めていく。 しかし...
位于赤道附近的寸外共和国某个未开发的秘境发现丰富的稀土资源，来自日本的村上商事试图获得当地的开发权，但遭到原住民的反对，还被女巫博诺伊（水原希子 饰）做出恶毒诅咒。该公司职员贺美慎一（东山纪之 饰）找到自称天才物理学家的上田次郎（阿部宽 饰），希望借助他之手戳破女巫的巫术骗局。而在意外目睹诅咒之死的惊人一幕后，心有余悸的上田找到灰头土脸的山田奈绪子（仲间由纪惠 饰），邀请对方和她一同踏上凶险的旅程。与此同时，刑警矢部谦三（生濑胜久 饰）和搭档秋叶原人（池田铁洋 饰）为调查案件也来到当地。
一次偶然中，牵牛（彭于晏 饰）结识了名叫童小夏（张檬 饰）的女明星，先是后者误拿了前者的行李，之后前者又误打误撞的成为了后者的经纪人，在误会和笑料之中，一段情缘就此展开。年轻有为的马英杰（张峻宁 饰）对小夏一往情深，可小夏却只拿他当做亲人看待。随着时间的推移，小夏和牵牛之间的距离越来越近，迷惘之中，一向不善表达的小夏不知该如何面对自己的感情。 一场车祸让马英杰住进了医院，对此，牵牛感到了深深的自责，尽管马英杰接受了牵牛和小夏之间的恋情，但牵牛最终还是选择了离开。在偌大的世界中，小夏和牵牛还能够再次相逢吗？他们的感情又能否开花结果呢？
《学生兵》是由天沐影业（北京）有限公司出品的抗战题材电视剧，由三丑执导，刘頔担任编剧，张铎、张光北、林江国、孙艺宁、王俊彪、冯茗惊等联合主演。改剧讲述了1944年日本第二次进攻广西作为背景，心怀爱国热血偷偷赴前线劳军的学生就此开始了命运与意识的转变。
东京郊外的街道——天鹅绒町，这里有着被剧团成员们称之为天鹅绒之路的圣地。身为原舞台演员、因一纸来信而站在此地的你，将会遇到的是……负债累累！没有客人！团员只有一位！失去过去辉煌即将倒闭的落魄剧团！因机缘巧合，你成为了剧团的团长兼【总监督】，身负把剧团重整起来的重任？