来自傣族的活泼少女时小春怀揣着满腔热忱，经过重重波折终于考入了国内顶尖舞蹈学院——海城舞蹈学院。然而入学后，时小春却发现自己一直引以为傲的舞蹈，在海舞精英学院派们的眼里只是上不了台面的“野路子”，好在有“芭蕾王子”凌晨和“魔鬼导师”羽丽华的“激励”，有“芭蕾公主”于漫漫的刁难，有“废柴联盟”小伙伴们的患难与共，有创新派老师林世安的慧眼识珠，时小春一路进阶，过关斩将。凌晨也逐渐被时小春对舞蹈的热情和坚持触动，找回了丢失已久的自我，并对小春产生了情愫。新学年开始，课程从古典芭蕾转到了现代芭蕾，刚摸到些门道的时小春又变得无所适从了。面对课业的压力、比赛的备战和感情上的波折，时小春和凌晨将何去何从？
玉山铁二在剧中饰演在出版社担任文艺月刊杂志副主编的信夫，工作忙碌，佐佐木希饰演他的妻子彩，她喜欢穿红艳的衣服，与多个男人保持肉体关系，为了这块“心病”她也私下里接受治疗，希望克服，可是某天她与丈夫的同事发生了关系。剧集以这对夫妻的故事为主线，讲述内心藏着黑暗的男男女女爱恨交错的故事。
吉他手埃尔（安东尼奥•班德拉斯 Antonio Banderas 饰）是墨西哥荒漠上最令人闻风丧胆的神枪手，他曾经摧毁了一个又一个当地的毒枭、黑帮，因此也八面树敌。在痛失爱妻之后，心灰意冷的埃尔背着他的吉他开始四处流浪，从此销声匿迹。 现今，大毒枭巴罗瑞（威廉•达福 Willem Dafoe 饰）逐渐建立起了他的毒品王国，野心勃勃的他甚至还在密谋刺杀总统，推翻墨西哥政权。CIA探员桑德斯（约翰尼•德普 Johnny Depp 饰）得知了巴罗瑞的阴谋，于是，他找到了埃尔。曾经的铁血战士埃尔当然不会袖手旁观，他终于重出江湖。但是，事情并没有表面的那么简单，墨西哥荒漠上一出传奇正在徐徐上演。©豆瓣
莎士比亚的爱情悲剧《罗密欧与朱丽叶》自1595年问世以来已被搬上银幕12次，其中，1968年由弗兰克·杰弗瑞里导演的版本，自问世以来就一直被视为典范之作。在十五世纪意大利的维罗纳城住有二家声望很高而彼此尖锐对立的望族。他们之间不断的发生血腥的争执。蒙达犹家族的罗密欧（莱昂纳德·怀廷LeonardWhiting饰）与卡普雷特家族的朱丽叶(奥丽维娅·赫西OliviaHussey饰)。却一见钟情，私自结婚。朱丽叶的表兄挑衅罗密欧而被误杀，罗密欧因此被流放到城外。为了躲避家人逼婚，朱丽叶在神父的帮助下假死，当罗密欧知道后，赶了回来看到墓穴中熟睡的朱丽叶，绝望之余喝下毒药自杀，当醒来的朱丽叶看到爱人死后也绝望的用短剑刺入了自已的胸部殉情而死。
泰瑞，一个追求社会地位的年轻女子意外地被卷入了两个革命者布罗森和姜戈的活动中，并发现自己在一个妇女集中营。在营地的中央是一个高耸的木制机器(“大鸟笼”),在邪恶的看守人的注视下，妇女们冒着生命危险处理糖。囚犯们受到狱警和狱友们残酷的虐待，所有逃跑的企图都被……永久地处理掉了。特里逃脱的唯一希望在于布罗泽和她的革命同盟。
Cynthia and Mary show up to collect Cynthia's inheritance from her deceased grandfather, the only item she's received is an antique sword that was believed by her grandfather to be proof that the South won the Civil War.
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
故事发生在1943年的罗马尼亚，德军上校乌尔曼（尤尔根·普洛斯诺 Jürgen Prochnow 饰）带领着自己的小分队驻扎在位于一座小村庄内的一座碉堡中。可怕的事情发生了，队伍里的士兵一个接着一个的离奇死亡，很显然，这是一场连环凶杀，因为在尸体边上，凶手留下了古老而又难懂的文字。
A sequel movie to The Diary 3 (2000). Still in Rome as a guest of Richard a more mellowed Anna is no longer an actress. One day, her diary is stolen on the street, she tries her best to get it back, and it's back, with an encounter with a man she will fall in love with.
蝙蝠侠到底是什么样的？本片通过6个相互关联又独立成篇的短片，为观众带来一个真正的蝙蝠侠。 《轮到我了》：4个儿童用吹牛的方法描述心中的蝙蝠侠形象，但这时伤痕累累的蝙蝠侠突然出现在他们面前。 《身陷火线》：蝙蝠侠送来一位犯人， 2位探员负责将犯人押解到监狱，不想路上碰到两个黑帮火拼，蝙蝠侠适时出现了。 《亲身历行》：蝙蝠侠有了新装备——卢修•福克斯为蝙蝠侠设计了一个防弹衣。这本该完美的设计，却给蝙蝠侠带来了苦恼。 《不见天日》：某宗教主教被绑架，幕后主使是蝙蝠侠的老对手稻草人。于是蝙蝠侠潜入下水道，与蜥蜴人、稻草人展开决斗。 《克服伤痛》：下水道的战斗令蝙蝠侠陷入伤痛与回忆之中，曾经一个印度女人教授布鲁斯•韦恩如何克服痛觉，现在，蝙蝠侠要自己去面对这一切。 《亡灵射手》：传奇杀手Deadshot受雇来到高潭市，蝙蝠侠再次出击