20世纪90年代的半架空世界里，美苏两国的冷战仍在持续。此时一种被称为“Arm Slave”的人形机动兵已成为军队主力，与之相关的新技术受到各方势力的觊觎。佣兵化军事组织“秘银”拥有强大AS军队，负责打击国际恐怖行为。隶属于其下SRT分队的相良宗介（关智一 配音）中士在战场上强悍勇猛。某日他受到上级指派，与队友梅丽莎、克鲁兹一同前往日本执行保护任务。这次他们的保护对象是元气十足的高中少女千鸟要（雪野五月 配音）。
每一场战争都有一些传奇故事。根据二战真实事件改编。 莫斯科保卫战时，刚从坦克学校毕业的尼古拉被派往战场执行“自杀式”的任务，在以一敌六的情况下，他驾驶着传奇坦克T-34，奇迹般地击毁了德军耶格尔上校的小队，但自己却遭到俘虏。到了二战末期，耶格尔为了快速训练出德国希特勒青年团的坦克新兵，逼迫集中营里的尼古拉和另外几名苏联俘虏驾驶一辆翻新的T-34作为他们训练的活靶子。在其他人都在为赴死作心里准备时，尼古拉的脑子里却浮现出了一个惊人的计划——驾驶T-34在训练中逃离德国军营。
维克多自幼和奶奶生活在希腊的海边小镇，奶奶去世后，他决定开车去往德国，开始一段公路旅行。在前往意大利的船上，维克多偶遇英俊、自由、奔放的德国男人马蒂亚斯，二人相互吸引，越走越近。在驱车北上的过程中，马蒂亚斯逼迫维克多走出舒适区，二人因此发生激烈的冲突。当旅行临近结束，他们各自的问题是否能找到答案？
李昆从事自己喜欢的摄影工作，尽管做着很低端的工作，却非常开心。通过努力几年后，这个年轻人现在已经是一个著名的摄影师。
僵尸少年Zed活力幽默，想要加入学校的橄榄球队，人类少女Addison正直善良，立志成为一名啦啦队员，他们在学校中相遇，互生情愫。Addison在相处之中，发现僵尸们有很多的优点，与自己从小被灌输的形象大相径庭，而Zed则希望通过自己的努力，为僵尸们争取更多的地位。
梯族人为争夺资源迅速进攻蛙人国，蛙族连失多个移民星球后开始急促防御。 钢兽、康、贝克和大炮等人抵御梯族侵略进入军校在机甲陆军学院相识，并很快成为了好朋友。几个人先后先认识了世袭，接着参与到了峰盐和明队长合作的补给任务，结识众人敬佩的明队长和其他前线战斗人员。所有人都兴奋不已，但原本很安全的补给任务却遭到了巫帝、利普顿等梯族名将的攻击。峰盐为了保全学员兵，奋力还击。第二舰队几乎全军覆没。 蛙族高层不满此次失利，明队长将所有责任揽到自己身上，对峰盐的牺牲更是几度落泪。高层准备再次组建第二舰队，而以钢兽等人为首的学员兵也接受了授衔，正式编入AIU突击队，成为明队长的手下战将，这也是他们梦寐以求的。 与此同时，被侵略者追杀的上官狼、上官鹰兄弟二人进入军校后进步惊人，且无意中见到了蛙族最为顶尖的舰船技术结晶—鱼骨刺突击舰。蛙族人正在酝酿着一场重大的自卫反击战……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
影片改编自一个真实的故事，确切的说，是来自导演本人的生活经ddd。r 1982年的一天，黎巴嫩战场上来了四名年轻的坦克兵，他们独自驾驶着一辆坦克驶进了一个平民村庄。这四名年轻的士兵没有任何作战经验，甚至连驾驶坦克也是刚刚学会的。在这个村庄里，他们的任务是配合地面作战部队清除那些看上去是巴勒斯坦解放组织的恐怖分子。r 他们的指挥官是贾米利，在他的指挥下，这次行动的要点是“快速、简单”。然而当坦克进入村庄那一刻起，这次的任务就不那么简单了。他们和地面部队失去了联系，毫无作战经验的坦克兵们像是无头苍蝇一样乱跑乱撞。一次简单的军事任务也就变成了屠杀。
别名：走十分钟就是天体营，家庭照顾者布鲁塞尔优势的情况下他的顾客的反对在日落岛的度假别墅换一个漂亮的财产......他们只是不知道一个小小的细节：岛日落是100％的裸照！同时，Levantains抵达布鲁塞尔，推动了一项指令，可以托衣服整个欧洲......
由于两年前揭发同僚贪污，台北警官黄火土（梁家辉）被上级报复调入冷门的外事组工作，利益也曾连带受损的新同事对他怒言相向，加上妻子清芳（刘若英）受不了他长期不回家要求离婚，黄火土感觉他的世界正在逐渐四分五裂。就在此时，三宗受害者的身份并无关联的震惊了台湾社会的离奇命案发生，法医（杨贵媚）验尸发现他们都是因中一种神秘的黑霉菌产生幻觉而死，因为缺乏此方面的人才，当局从美国请来此种案例的侦办专家凯文莱特（David Morse）协助破案，黄火土重被任用。随着一桩令所有人都目瞪口呆的事实的被发现，一场围绕政治利益与民众利益的斗争也在黄火土和办案伙伴李丰博（戴立忍）及整个警察队伍之间展开。©豆瓣
一件神秘的外星文物在地球登陆后，尼可·布雷肯里奇指挥官（凯蒂·萨克沃夫饰）必须带领人类首次的星际任务，抵达其发源星球，同时她的丈夫（贾斯汀·查特文饰）则留守地球并努力与该文物进行首次接触。 《外星生命》探索生命的奇迹，刻划在一个几乎毫无生命存在的宇宙，生命是如何宝贵，也描绘为了保护所爱，我们会如何竭心尽力。
张丽丽是一个农村女孩，因为家境贫穷，很早就离开了自己的家乡，来到了大城市，想要在这里闯出自己的一片天地不过，到了城市后的张丽丽发现这里的一切并没有她想象的那么简单。为了在这个城市能够很好的生活下去，她选择了到夜场去工作，并在那里遇到了一个有钱的大老板。为了金钱，张丽丽选择了被大老板包养，但是这种交易常常让她在深夜里被惊醒，她越来越厌恶这个为了金钱而出卖身体的自己。一次偶然的机会，张丽丽碰到了从小一起长大的平平，看到了摆着煎饼摊辗转数个城市寻找自己的父亲，张丽丽决定告别过往的自己，开始专职做一个平面模特，就在摄影棚里拍写真照片的时候，张丽丽认识了赵小白，一个小有名气的摄影师......