深圳犯罪四溢，长途车上公然抢劫！走私枪支，绑架也不在少数。香港督察刘剑辉到深圳公干，公车上就帮助一歌女免遭抢劫的厄运，后又与警方合作要破获犯罪组织。高干子女林副司令的女儿一心想去外国定居，为此不惜出卖自己的身体只为一本外国护照，刘剑辉此次的目标就是她……...
新宿歌舞伎町的民宿大厦——“流氓公寓”的山口组蜗居点。黑社会组织安生组的老大安生芳雄与情妇及一亿日圆现金失踪后，流氓公寓每天都有黑道人被杀。外界断定这是传说中的杀手“Ichi”所为。武斗派头目垣原（浅野忠信饰）于是开始疯狂寻找凶手。垣原是个极度被虐狂，视虐待成狂的老大如自己的神明一般，迷恋与崇拜他。垣原误信退役江湖老鬼阿叔，掳劫了敌对帮派头目，酷刑逼供，引起江湖风暴，令安生组进退失据。老大情妇Karen（孙佳君饰）与阿叔相熟，为讨好垣原以身犯险。Karen在阿叔帮助下，渐渐接近神秘杀手阿一…… 大导演三池崇史的名作，血腥暴力美学推向极致。
富家子弟周通（许冠杰 饰）武功高强，到处仗势凌人，其妹妹周吉（吴君如 饰）也十分无理取闹。他们的母亲太君（许冠英 饰）一直想他们定性并能够成家立室。可是在周吉的新婚之夜，夫君林嘉声（黄百鸣 饰）忍受不了周吉而逃走了。自此，太君便茶饭不思，周通于是为母亲办寿筵冲喜，更想请 著名魔术师大围高栢飞（张国荣 饰）助兴。与此同时白雪仙（关之琳 饰）乔装出来逛花市，与高栢飞一见钟情。白父（吴孟达 饰）得知事情后以为女儿已怀孕，便找到高柏飞提亲，却误以为周通就是高栢飞。当周通见过白雪仙之后，便誓要得到美人。母夜叉（毛舜筠 饰）从逃难的高栢飞与雪仙口中得知了他们的遭遇后，便假扮新娘教训周通。周吉的丈夫林嘉声成为了状元，周吉想与夫君和好，却遭到了林嘉声拒绝……
《狂暴飞车3D》由帕特里克·卢西尔执导，是尼古拉斯·凯奇的第一部3D电影。 弥尔顿（尼古拉斯·凯奇 Nicolas Cage 饰）是一个十恶不赦的暴徒。为了阻止邪教徒在月圆之夜用他的唯一孙女的鲜血完成祭祀，从监狱逃脱了。可他只有三天时间，同时也面临着三面夹击。第一，要对 面被恶魔附体的邪教头子乔安王。第二，警察因为一桩杀人案找上了门来。第三，撒旦派来神秘杀手The Accountant（威廉·菲德内尔 William Fichtner 饰）将他带回地狱。还好路遇性感女招待派伯（艾梅柏·希尔德 Amber Heard 饰）义无反顾地和他一起复仇。 三天之内，弥尔顿可以救出自己的孙女、搞定难缠的警察、消灭撒旦的杀手，完成自己的救赎之旅吗？
戴文豪经营着一家皮革公司，每年，他都要前往日本北海道，美其名曰考察分公司的经营状况，实际上不过就是去泡妞。这一次，他将自己觊觎已久的女会计麦琪带在身边，希望能够伺机占有她。让戴文豪没有想到的是，这边厢他准备向麦琪伸出“魔爪”，那边厢半路杀出了个凶悍老婆。 三寸丁年岁渐长却依然是处子之身，这一次他千里迢迢赶赴北海道，是下定了决心，要尝一尝女人的滋味，然而，不断出现的波折与意外让他和自己最初的“梦想”渐行渐远。钟国昌是一位专栏作家，他决定将戴文豪的风流韵事作为写作题材，没想到，不仅文章没有写成，自己还遇到了大麻烦。
讲述了一个想要离开故乡开始新生活而苦苦挣扎的男人在故乡与老朋友重逢，结果卷入始料未及的事件的喜剧片。
偏僻的半山村住着九岁的丁保健和他多病的母亲。一天，保健的母亲死了，村长决定让保健吃百家饭。不久村长被告知保健外出打工的父亲死于艾滋病，并要求他保密。一次记者的采访捅出了保健的病情，村民拒绝保健和他们的孩子一起上学。上级领导要来检查工作，为了应付检查，村长找到村里的闲人老赵先给保健代几天课。谁知领导不来了，可这仅有一老一少的两个人的教室却没有停课……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
七年前，楚云飞遭家族聚变，流落中州药王谷。 七年间他凭着自己的努力，名震中州修炼界，随后他回过故土报仇，立誓要查清当年真相。然而在此过程中，他屡遭暗算，经过艰难调查，他惊讶发现幕后黑手竟是如今执掌帝国的帝后……
热血正义的考古青年吴天于沙漠中发现楼兰文物青铜琉璃镜，偶然与铜镜中楼兰圣女雅曼平行时空相遇，为守护楼兰文明国家宝藏，防止其落入外国盗墓者之手，两人共赴楼兰秘境天使之墓，并肩揭开千年神秘的“幽灵军队”传说秘密，一场斗志斗勇的楼兰冒险之旅拉开帷幕。
三個女人、一個即將出世的嬰兒，與一場「母親」身分的交易。一對富裕的夫婦來到僻靜的農場，一對母女住在這，未成年的女兒懷了孕，見不得人。她們協議－－不孕的少婦住在這等孩子出世，待少女生產以後，她便帶走嬰兒，未婚小媽也能「解決」孩子，重啟新生活。隨著這個誰都不屬於的小生命即將降臨，三人的壓力逐解膨脹，看似完美的計畫也一點一點裂解…… A weathered woman and her odd teen-aged daughter live in isolation on a desolate farm in South Korea. An affluent city woman comes to t hem seeking help with a sensitive matter and the three women soon fall into a n...
“我”（富泽风斗 配音）冥冥中来至天国，却被那个有些聒噪的使者普拉普拉拦住去路。在他所说，上帝给了十恶不赦的我一次重生的机会，以此体味和感受生命真正的价值。“我”不由分说被重新投回人间，灵魂进入了一个初三学生小林真的体内。小林真三日前见到了心仪的女孩桑园寻香（南明奈 配音）与中年大叔出入爱情旅馆，又见到母亲（麻生久美子 配音）不贞的举止，加上生活中的一切都让人绝望，于是他选择服毒自杀。苏醒后的“我”以小林的身份生活着，各有心计的家人，有些烦人的女同学唱子（宫崎葵 配音），以及投来异样目光的同学，都让“我”感到烦躁，而在这一过程中“我”似乎触摸到了生存的意义…… 本片根据森绘都的原作改编。