一边在自家的餐馆“幸平”帮忙，一边磨炼料理水平的幸平创真，进入了超级精英料理学校“远月茶寮料理学园”。创真在学园内外与各种各样的料理人相遇并不断成长，但随着薙切蓟就任远月学园的新领袖，状况发生了转变。在新创设的中枢美食机关影响下，无法再自由地制作料理……创真等人反对中枢美食机关的做法，结果却被视作学园的背叛者。——之后，他们迎来了二年级升级考试。即使遭人白眼，众人仍然齐心协力突破考试，但中枢美食机关的妨碍并未停止。同伴们终于遭到退学处分的打击！被逼入绝境的创真等人为了打破这一状况，决定与蓟政权下的新远月十杰展开连队食戟。初战取得了压倒性胜利，但决定他们命运的激战才刚刚开始。终于迎来2ndBOUT！究竟创真等人能否夺取十杰之座，拯救同伴呢？
克莱尔小时候有个假想的朋友，长大后她回到童年的家，却遭到“曾经朋友”的折磨。尽管是一部美式恐怖片，风格却非常多元化，从预告可窥紧绷于弦的气氛。
老调剧，描写杨家将与奸贼潘洪斗争。
1936年上海，从小被人收养的徐继发是一名警探，并受命调查一桩坠楼案，在他追查遭到陷害面临绝境之时，竟遇到了失散多年的亲母和胞弟，了解到自己的身世牵扯着15年前的黄金劫案，元凶与坠楼案的真凶竟是同一伙人，胞弟林奕晨竟也被他们误认作徐继发杀害。为了破案复仇，徐继发伪装成弟弟的身份继续追查真相.历尽艰辛，徐继发终于将罪犯全部绳之于法。在追查真相的过程中徐继发目睹了国民政府的腐朽和黑暗，同时让他感到发生在自己身上的悲剧是因为整个社会的腐败，他开始接触到新的思潮，从只注重个人恩怨发展到关心民族前程，抗日战争爆发后，徐继发毅然走上了寻找光明的道路。
Netflix成人向动画《天堂镇警局 Paradise PD》第二季确定在3月6日上线，该动画由《脆莓公园 Brickleberry》的主创Waco O’Guin及Roger Black负责。 《天堂镇警局》讲述一个小镇警局里全是些不知所谓的警察，他们爱废话﹑一点也不酷 ，根本就是群渣。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
江湖卖艺人阿祖带着一只小猴相依为命，一心想拜师学武。退隐江湖多年的赵七爷有一傻女，无人看管，阿祖只好找一个外乡女子飘红来顶替，并和村里武馆教头关二世的儿子阿仁成为朋友。一群“山贼”到村里行凶，关二世和赵七爷联手抵抗，原来赵七爷家中藏有珠宝，乃是抢劫得来之物，不料却被飘红偷走，关二世与赵七爷也遭杀害。阿祖、阿仁二人四处逃亡，寻找名师学武，一路上曲折不断，终于找到了幕后真正的元凶……
锦衣卫百户申屠培来到白山县，路上杀死了天鼠后，有得知丁白未死。县衙师爷拿来通缉令，悬赏丁白的父亲，兄弟俩带着丁白想出门躲避，却遇见了申屠培。双方在房山大打出手，丁白受伤，兄弟二人误打误撞击杀了申屠培，这时才发现丁白一直是女扮男装。兄弟二人带着丁白投靠铁叔，在这里，丁白遇见了接头人，是县衙的捕快天宝。秘密一层层揭开，双方人马最终汇聚在了县衙。隐藏多年的秘密终于浮出水面，原来何氏兄弟的父亲原是东林党忠诚，被奸人所害，托孤于铁叔。幕后黑手也最终露面，这一场局中局也终于迎来最后的谢幕。
伊莎贝尔·沙利文(15岁)刚搬到一个小镇和她的叔叔保罗住在一起，保罗叔叔是该镇的市长。伊莎贝尔最近在一次车祸中失去了父母。伊莎贝尔常感到很孤独，她仅有一只名叫阿奇的流浪机器人狗的朋友。虽然它看起来像一只普通的狗，但它绝不是。它会说话，它能以惊人的速度奔跑。他有超强的力量和透视力。伊莎贝尔和阿奇成了好朋友。她教它如何做一只普通的狗，而它却帮助她融入这个酷酷的小团体。最重要的是，伊莎贝尔可以向阿奇吐露她父母的遭遇。阿奇能理解，它从来没有过家庭。随着夏天的到来，事情开始变得棘手起来。保罗即将再次当选，他发现自己与维罗妮卡泰勒(Veronica Taylor)竞争，泰勒碰巧与布格尔-特罗波里斯(BURGERTROPOLIS)--一家多年来一直试图收购保罗的国家快餐店--勾结在一起。更糟糕的是，一个叫休·贾布朗斯基的恶棍出现在城里，声称....
小风是一个安静的喜爱绘画的青年，每天都背着画板在城市各处流连。有一天，失踪了1年的恋人小绿突然回到了他的身边。小风又开始了跟小绿甜蜜的生活，然而小风的哥哥并不同意他跟小绿在一起。画廊老板LINA姐也劝小风跟她一起出国。小风坚持要与小绿在一起，最终跟哥哥发生了剧烈冲突，小风晕倒在地，再醒来却发现小绿和哥哥都不见了踪影。小风冲出门寻找，却在家旁边的巷子抓到一个带头盔的人，掀开面罩，那人竟然和自己长的一模一样，后面的发展越发离奇……