该剧讲述幼时被母亲抛弃的小野浩史通过与各种女性的相遇，在时有冲突时而逃避中逐渐重拾笑容的故事。
在纽约一所公寓里，一对老夫妻打算搬离，但是面对生活了一辈子的地方，他们总有各种剪不断理还乱的恋旧情怀...
亚瑟国王死后，卡米洛特陷入了黑暗之中。现在，他残忍的魔女姐姐摩根亚的统治开始了。她指挥着三条致命的龙，追捕剩下的圆桌骑士。
林冲蒙冤受屈踏上前往沧州的路途，解差薛霸和董超负责押送，三人一路前进。 临行前，陆谦带着高俅的授意让薛霸和董超二人半路神不知鬼不觉得除掉林冲，连利诱带威胁让他们要么顺利完成高俅指派暗杀林冲的任务升官发财，要么任务失败难逃...
内详
讲述以金坝村在外打拼且取得一定成就的企业家牛长生治村工作为主线，以整顿村委会工作纪律，处理占街占巷、赡养老人、毁林建坟、创新产业发展等事关人民群众切身利益的诸多事情。表现了纠正民风、整治村容村貌、树立文明新风、带领百姓致富，实现由问题村向先进村嬗变的典型故事。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
明朝万历年间，大同发生了一场瘟疫，十室九病，传染者接踵而亡。 小村庄中，一名年青小偷小偷看到了村长和村内几名乡绅，向庙宇中一名大师参拜，请求他出手相助，以制止瘟疫盛行。 大师用神秘的水晶球治好大家的瘟疫，但是水晶球却被小偷偷走，消失至荒野中… 二零一七年，水晶球再次出现。 占卜师美好急步跑回位于美甲店的摊位中。但是半路上却遭遇各种倒霉事情，一身狼狈。连预约好的重要客人也因此出丑，气愤离开。 在美好失望的时候，暗恋她的建树赶到现场。建树忍着美好身上的异味安慰美好，并提议为店铺买到些饰物装饰，借机约她周末到市集约会… 美好与建树周末逛市集的时候，路过一个精品店，此时旁边的水晶球正熠熠发光……
一个11岁的失控者的故事，她只有一个娃娃屋就到达寄养家庭。现在所有的孩子都处于危险之中。
该片讲述的是三个未婚妈妈抚养一个弃婴的感人故事。影片展示了一对恋人、一对情人以及一位少妇与一个女弃婴之间所发生的一系列来自情感、家庭、婚姻等方面误会的化解、矛盾的消除过程，褒扬了人类纯真的感情和永恒的爱情，以及人世间伟大又平凡的爱。
未知