FORGEDINFIREfeaturesworld-classbladesmithscompetingagainsteachothertocreatesomeofthemosticonicedgedweaponsfromhistory.Ineachepisode,fourofthebestbladesmithsinthecountrywillcometogethertoputboththeirskillsandreputationsontheline.WhethertheyaremakingaJapanesekatana,amedievalbroadsword,oranancientthrowingbladelikethechakram,theweaponstheyforgewillbefullyfunctionalandlethalworksofartandwar.Theuniquehistoriescontainedwithineachweaponwillbecreativelytoldduringtheforgingprocessandthefinalweaponsthemselveswillbeassessedandruthlesslytestedbyourpanelofexpertjudges.Thesedynamicandexplosivetestswillbeindividuallydesignedtopushtheweaponstotheirabsolutelimit.Onebyone,thebladesmithswillbeeliminateduntilonlyoneremainstobecrownedthechampion.
美剧《光晕：夜幕降临》剧情是紧接《Halo4》和《Halo5》，其中游戏人物Jameson Locke(Mike Colter饰演)将继续扮演核心角色，他即是一个“传奇的赏金猎人”，同时也是美国海军情报局的特工。 在预告片中，Jameson Locke和他的团队陷入到一场有预谋的生物攻击之中，在那里他们很快发现了这个阴谋，他们随后被带到了一艘远古的飞行器里。在那里他们被迫“为生存而战，并对一切事物保持猜疑”，最终在忠诚和生存之间做出抉择。 最后微软也表示，这部美剧《光环：夜幕降临》将与《光晕》士官长典藏版同期上映，预计从11月11日开播。
影片讲述了明星脸冯导（张朋饰）与四个女人的爱情故事，这四个女人分别是自己的老婆娜娜（罗梓丹饰），自己的制片人，自己的助理以及自己的绯闻女友。在一次扬州宣传片的取景考察旅行中，一直想得到冯导的制片人韩豆豆（韩士博饰），处心积虑的将冯导与冯导的老婆骗到了扬州，并为其安排了一个绯闻女友扬州瘦西湖形象大使冯珂（冯珂饰），同时带着狗仔阿郎与张国荣明星脸和汪涵明星脸一起假模假样的开始了一次扬州取景旅行，韩豆豆利用暗恋冯导的助理以及绯闻女友的情色照片，还有为冯导设下的陷阱一步一步的达成了自己的目的。
节目围绕国风楚韵，畅谈历史文化，通过朗诵、演唱、器乐、舞蹈、书法、绘画、茶席等创新表达，运用科技表现手段，着力打造全景沉浸式舞台体验和音乐文化雅集氛围。
平成元年四月，辽西中学学生日高一平与对手（同时也是其好友）黑木凯争夺日本武道大赛冠军。比赛正进行到白热化之时，二人被一阵白光包围，同时消失。待一平醒来，发现自己来到一片完全陌生的世界——天空界。时破坏神湿华蠢蠢欲动，为保护祥和安宁的天空界，调和神惠明大师将一平和阿凯召来，转生“修罗王”和“夜叉王”，集齐勇猛正直的八部众。然转生过程中，阿凯被湿华迷惑心智，性情大变，成为天界的敌人。天界总司令因陀罗伺机将惠明大师石化，龙王良马、迦楼罗王利加、天王乔加、修罗王一平得知真相逃出，随后与同为八部众的闼婆王高也、紧那罗王莲伽、摩呼罗迦王阿达、夜叉王阿凯展开连番厮杀。八部众的内斗，无意中掉入破坏神的圈套之中……
影片由阿贝尔·费拉拉自编自导，该片曾入围2019年戛纳电影节参展作品。故事讲述了一位美国艺术家和他年轻的欧洲妻子尼基以及他们3岁的女儿迪迪生活在罗马的故事。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
在挚友遭到残忍谋杀后，十六岁的丽姿被指控为唯 一的嫌疑犯，戴上电子脚镣居家监控。两年后的法 庭上，好斗的检察官和辩护律师轮番攻防，甚至公 开探挖起丽姿的性生活。冷酷无情的质询、不断揭 露的秘密，原本全心捍卫女儿无罪的父母也逐渐动 摇，他们过往所了解的，真的是女儿的全部吗
身形健硕的德里克·汤普森（巨石·强森 Dwayne Johnson 饰）是一个作风粗暴的职业冰球手，由于经常打掉别人的牙齿，因此他在场上得了“牙仙”的绰号。正所谓风云变幻，时代更迭，随着才俊新秀的涌现，德里克也渐渐成为一名过气的板凳选手。狂放自负的他必定心情极度失落，故而经常用冰冷的语言打碎别人的梦想。德里克的女友卡莉（艾什莉·贾德 Ashley Judd 饰）有一双可爱的儿女，小女儿刚好处在换牙期，对神秘的牙仙还充满遐想。此时德里克的老毛病又犯了，一心希望向女孩讲述牙仙并不存在的真相。他的粗暴做法惹来了麻烦，牙仙大陆的负责人莉莉（朱丽·安德鲁斯 Julie Andrews 饰）将他变为一个身长翅膀、手持魔杖、衣着短裙的牙仙女，在接下来的两周里，他将被迫以这身装扮为孩子们带去祝福
电影《肩上蝶》，改编自傅玉蓬的网络文章《你的肩膀上有蝴蝶吗？》。
解放初，昆明姑娘李云随边防连队到佤族边寨和佤族青年赛温相识相爱的曲折故事，最终落地边寨办学，为民族教育事业做出贡献。