自幼失明的黄嘉汶（李心洁饰），接受了眼角膜移植手术，能看见周围的事物，但也因此陷入了无尽的烦恼。她发现，自己除了能看见正常的事物以外，还能看见别人看不见的鬼魂，严重干扰她的生活，嘉汶甚至宁愿自己从来没有看见过。同住一个病房的小女孩瑛瑛手术中去世，来向她告别，目送着瑛瑛的离开，嘉汶因此明白了“阴阳眼”的好处：能够看到自己希望看到的人。当她终于平静下来，准备接受自己的“与众不同”时，却惊恐莫名地发现，她在镜子中看到的竟然不是自己，而是另外一个女人。在心理医生卢医生（周俊伟饰）的帮助下，嘉汶找到了眼角膜捐赠者的资料，一个泰国华侨女子，二人到泰国寻找所有事情的答案，他们并不知道，更大的秘密和灾难，在前面等着他们……
为了保住音乐社团，音乐社社长不得不给学生会会长做牛做马。
女主人公叶雨陷入了梦与现实的转换之中，不能自拔秘密人杨宁每周都到心理诊所找田仁，诉说同一件事情。在杨宁的反激下，田仁拽着同事孟伟来到了杨宁所说的千年古镇上的墓园寻找杨宁所说的真实情况。在古镇发生了一系列看似诡异的事件...... 叶雨想拼命阻止事件的发展，在梦与现实所重叠的五度空间与现实的层层转换中，明白了这一切都是善恶因果、各有所报，只有心中有爱的人，他眼中的世界才是美丽的。
虽然好像是假的，但真的发生了罕见的问题——“在咖啡厅充电的时候被起诉了！”“在便利商店收到很多找零后被投诉了！”…，乍一看是很琐碎的事情，但是无论多么小的纠纷，背后应该对某人生活很重要。此剧描绘面对着这样问题来到镇上律师的周边人们的人生和社会所存在的问题，以及与之相关的人的模样。
自康熙十五年一场巨大的水患之后，年轻的康熙帝设科开举招纳治河贤才，二十四岁的落第举子陈潢脱颖而出，长于治河。年轻的康熙帝不拘一格，将他简拔而出。陈潢与同样有志于治河的靳辅搭档，跨越半个世纪的栉风沐雨，历经了康熙朝几次大政治风波。年轻敢言的陈潢死于奸臣结党的污蔑之下，临死前留下治河名著——《河防述要》。康熙五十一年，台湾收复，准格尔平定，黄河安澜，河水转清。康熙帝探访扬州，见到了河神庙。庙中塑着靳辅、陈潢的像，仁人志士，遗爱自在民间。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
1950年代，美国女性的社会地位表面看来有了明显提高，然而在如威斯理般著名的女子大学里，教师们教授学生，仍是一切围绕将来的好姻缘打转，并不鼓励她们主动获取自己感兴趣的知识，也不注重培养她们的心里素质。美丽成熟的凯瑟琳（朱莉娅·罗伯茨 Julia Roberts 饰）大学毕业，怀揣理想和热情来到该学校担 任艺术史教师时，便因想散播自由的种子碰壁连连。 然而因为风趣、率直、热情、渊博，凯瑟琳很快赢得了学生们的喜爱，她的几个学生，想同男孩一样干出一番事业的琼（朱丽娅·斯蒂尔斯 Julia Stiles 饰）、活泼好动的丽薇（玛吉·吉伦哈尔 Maggie Gyllenhaal 饰）等，也慢慢地展露出真性情。然而，另一名学生贝蒂（克斯汀·邓斯特 Kirsten Dunst 饰）要结婚的消息，又将自由浪漫的氛围打破。
《朋友请吃饭》是一档土著好友带你吃遍地道美食的旅行真人秀。MC将在土著好友的带领下去往中国最好吃的6大城市，品尝最地道的特色美食、体验好友最喜欢的娱乐生活，在2天1夜的旅程中，收获美妙的此食快乐。
Elliott, a young fisherman with an extraordinary voice, gets the chance of a lifetime when he is discovered by the successful high-profile music manager, Suzanne. Suzanne soon pairs Elliott with her estranged daughter and music producer, Lily. On his way to becoming a star, struggles from the past threaten not only his big breakthrough, but also the budding love with Lily.
《天国餐馆》每集正剧之后的番外。
慕承和与薛桐曾经是大学校园里，让人羡慕的一对眷侣然而，当慕承和陷入事业的瓶颈是，曾经的心理阴影让他的焦虑和偏执无限放大，伤害了薛桐的心。慕承和出国工作学习一段时间回来，两人再见面似乎少了一份亲昵，多了一些尴尬。而此时，薛桐身边还有一个追求者刘启，看起来，阳光充满活力的刘启似乎更适合薛桐。准备离开时，慕承和想起了当年两人一起种出玫瑰的诺言。最后这一份执着打动了薛桐，薛桐愿意敞开心扉，再一次尝试重新认识慕承和。两人来到俄国，慕承和给他讲述了自己留学的经历以及伤心的过去。在薛桐帮助下，慕承和终于放下过去，两人终于走到了一起。